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PREVIOUSLY ON LOVE and HIP-HOP:

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ATLANTA...

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YOU HAVE TO BE FINANCIALLY

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STABLE IN THE RELATIONSHIP.

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BUT YOU KNEW MY SITUATION.

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BUT YOU--NO!

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IT AIN'T NOTHIN' NEW.

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IT IS NEW TO ME.

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THIS TAPE, YOU HAD

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SOMETHING TO DO WITH IT.

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AM I WRONG?

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TO FIND A GUY WHO IS REALLY

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FAITHFUL.

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SO FAR, YOU NEVER WENT

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THROUGH NO EPISODES?

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NOT WITH HIM.

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YEAH, YOU KNOW SOMETHIN'

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I DON'T KNOW.

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I KNOW A LOT OF THINGS

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THAT YOU DON'T KNOW.

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HOW THE [bleep]

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DID I KNOW ABOUT YOU AND STEVIE?

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IT'S LIKE THE ARMY.

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DON'T [bleep] ASK, DON'T TELL.

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I WANT EVERYTHING LAID OUT

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ON THE TABLE.

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I'M DONE WITH ALL THIS

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[bleep].

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GO AND DON'T [bleep] COME BACK.

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YOU SITTING UP ACTING STUPID

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WITH YOUR RATCHET ASS.

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MY MOM, YOU KNOW.

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YEAH, A GROUCHY OLD WOMAN.

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AND YOU GON' JUST BE MAD

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FOREVER.

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I'LL SIT DOWN WITH YOUR MAMA,

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BUT IF SHE START BARKING AND

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BEING THAT OTHER PERSON, DON'T

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EXPECT ME JUST TO KISS HER BUTT.

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SPEAKING OF YOUR MAMA, TELL

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YOU ABOUT THIS BIG-ASS WEDDIN'

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SHE'S TRYING TO PLAN?

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THIS IS MY WEDDING.

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I DON'T KNOW 'BOUT NOTHING

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'BOUT PLANNING NO WEDDIN'.

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A LITTLE BIT OF STUFF YOU

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GONNA LEARN ABOUT.

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Y'ALL ARE CRAZY.

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IT'S NOT LIKE HE WOULD JUST--

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HE DIDN'T TALK ABOUT

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COMMITTING SUICIDE.

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BUT NOBODY KNEW THAT WE WAS

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GONNA GO THROUGH EXACTLY

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WHAT WE WENT THROUGH.

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I GOT TO GO TO BOSTON.

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WHAT HAPPENED?

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ZINO'S MOM, SHE PASSED AWAY,

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AND THERE'S A LOT GOING ON

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WITH THE FAMILY.

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MY FATHER, HE WAS CRYING,

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AND THEN HE TOLD MY MOTHER DIED,

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AND MY WHOLE WORLD JUST

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CAME TO A END.

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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* YEAH

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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* 'SUP ♪

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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* HUH

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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* HUH

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♪ THERE AIN'T NOTHING LIKE ♪

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♪ HIP-HOP MUSIC

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♪ MUSIC

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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HEY, BOO.

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HEY.

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I LIKE YOUR RING.

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YOU BETTER LIKE EVERYTHING.

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MY GIRL KARLIE HAS BEEN OUT OF

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TOWN, DOING HER THING, AND I

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HAVEN'T SEEN HER, TALKED TO HER

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SINCE THAT CRAZINESS AT THAT

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GRAND OPENING, BUT, GIRL,

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GOT A LOT TO TELL YOU.

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I JUST WANT TO MAKE SURE

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JOC AIN'T POPPING UP.

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[laughs]

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LET ME TELL YOU ABOUT JOC.

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WE RIGHT HERE, BUT WHAT'S GOING

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ON WITH YOU AND O'SHEA?

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OVER WITH.

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IT'S DONE.

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YOU KNOW, I WAS TIRED OF DIGGING

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IN MY PURSE, GIVING UP THE CARD.

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DO YOU REMEMBER WHEN WE WENT

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BOWLING?

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WE HAD A GREAT TIME.

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YEAH.

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GUESS WHO PAID.

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MOI.

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SHUT UP.

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AND YUNG ASS ASKED TO PAY.

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RIGHT.

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O'SHEA AND I WERE SHORT

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AND NOT SO SWEET.

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I TRIED TO BE UNDERSTANDING

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OF HIS FINANCIAL DIFFICULTIES,

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BUT THAT BECAME HIS NORM,

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AND HIM NOT HAVIN' NO GAS

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MONEY--

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[scoffs]

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THAT WAS THE FINAL STRAW.

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YOU MISSED MIMI'S ONE-YEAR

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ANNIVERSARY WITH NIKKO.

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WHAT HAPPENED?

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WHAT DIDN'T HAPPEN?

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MIMI FILLS ME IN ABOUT ALTHEA.

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SO SHE TELLS ME SHE GOES TO DROP

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THE BABY OFF.

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WHEN STEVIE OPEN THE DOOR, THERE

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SHE WAS WITH A COVER OVER HERE.

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WHO GOT A COVER OVER WHO?

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ALTHEA.

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SHUT THE [bleep] UP.

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YES.

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HOTHEA WAS AT STEVIE'S

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HOUSE?

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AND HE DIDN'T HAVE ON NOTHING

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BUT A TOWEL.

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SO SHE [bleep] STEVIE TOO?

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SHE DID.

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JOSELINE JUST TOLD ME

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THE OTHER DAY THAT HOTHEA

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WAS WITH NIKKO,

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AND I WAS LIKE, "WHAT?"

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SHE WAS LIKE, "YEAH,

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NIKKO AND THEA'S [bleep]."

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SO NOW YOU TELLING ME THAT

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SHE WAS DOING STEVIE TOO--

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OR IS DOING STEVIE?

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WE DON'T KNOW.

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SHE WAS.

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WHEN JOSELINE FINDS OUT,

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YOU KNOW THAT BITCH IS GONNA

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FLIP HER WIG.

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WELL, HOS KNOW HOS.

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SHE SHOULD KNOW.

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NOW, YOU KNOW I'M GONNA TELL

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JOSELINE.

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THIS IS NOT ABOUT BEING MESSY.

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IF SHE SAW MY MAN WITH ANOTHER

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CHICK, SHE BETTER COME TELL ME.

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THAT'S JUST WHAT FRIENDS DO.

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SHE THIRSTY.

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BUT NO, I'MA TELL JOSELINE.

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I JUST NEED A FRONT-ROW SEAT,

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GLASS OF WINE.

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[laughs]

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THESE PICTURES IN THIS

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MAGAZINE WAS SO GOOD,

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WASN'T THEY?

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I THOUGHT THEY WERE OKAY.

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BUT YOU KNOW MY FAVORITE,

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RIGHT?

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WHO, YOU?

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YEAH.

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GIRL.

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[laughter]

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YOU SEE WHAT THE FRONT

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OF IT SAY.

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"DOES HE REALLY LOVE HER?

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WILL THEY STAY TOGETHER

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AFTER HE MESSED UP?"

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WHEN WE HAD THE PHOTO SHOOT

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FOR SISTER 2 SISTER MAGAZINE,

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KIRK AND I WERE IN

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A HORRIBLE PLACE.

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HIM AND MY MAMA WAS FIGHTING

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LIKE CRAZY, LIKE, ALL THE TIME,

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BUT HE'S AGREED TO SIT DOWN AND

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TALK TO MY MOM SO HE CAN WORK

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ON TRYING TO MAKE THINGS RIGHT

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BETWEEN THE TWO OF THEM.

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KIND OF TALK TO MAMA ABOUT HOW

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WE ARE WORKING ON TRYING

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TO REPAIR THINGS.

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HOPEFULLY, Y'ALL CAN GET SOME

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TYPE OF PEACE GOING.

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I'M COOL WITH ADMITTING YES,

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THE THINGS I DID WAS WRONG,

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BUT, YOU KNOW, SOME OF THE

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THINGS THAT BE GOING ON,

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YOU A LOT OF BLAME TOO,

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BECAUSE YOU COME IN WITH THIS,

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"I KNOW HE'S MY GRANDSON,

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BUT WHAT ABOUT YOU?"

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SO IT MADE ME SAY,

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"YOU KNOW WHAT?

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LET ME JUST THINK ABOUT

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GETTING A DNA TEST."

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DON'T BLAME IT ON ME, 'CAUSE

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I AIN'T HAD NOTHIN' TO DO

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WITH THAT.

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I ADMIT I WAS WRONG FOR DOIN'

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A DNA TEST ON KARTER.

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I WAS DEFINITELY WRONG FOR NOT

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TELLING MY WIFE.

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BUT IF ME AND RASHEEDA ARE GONNA

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HAVE ANY CHANCE OF FIXIN' THIS

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RELATIONSHIP, I'MA NEED HER MAMA

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TO STAY OUT OUR BUSINESS.

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I'M WILLING TO APOLOGIZE, BUT

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I FEEL LIKE YOU SHOULD MEET ME

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HALFWAY WITH MOST OF THE THINGS

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THAT YOU'VE DONE TO ME AS WELL.

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WAIT A MINUTE. OKAY.

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JUST, LIKE,

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DESTROYING MY BIKE.

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I FEEL LIKE WE BOTH HAVE DONE

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THINGS THAT'S WRONG

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ON BOTH SIDES OF THE TABLE.

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KIRK, THAT'S BULL[bleep].

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NO, IT'S NOT.

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THAT'S BULL[bleep].

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YOU KNOW, EVERYBODY WAS HURT

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IN THE SITUATION

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IN SOME KIND OF WAY.

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YOU MAD ABOUT YOUR [bleep]

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BEIN' BROKE.

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I'M PISSED OFF ABOUT--

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AND THAT'S MATERIALISTIC AS

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[bleep], AND SOMETHING LIKE

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THAT--WHAT I DID WOULD NEVER

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MAKE UP FOR THE [bleep]

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THAT YOU DID TO RASHEEDA.

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THAT WAS WAY MORE DAMAGING.

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I GOT TO GO TO THE BATHROOM.

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EVERYBODY PISSED OFF.

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KIRK MAD THAT SHE RAN OVER

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THE BIKE.

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SHE'S MAD ABOUT THE DNA TEST.

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I'M MAD ABOUT THE DNA TEST,

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BUT GUESS WHAT.

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MOM, YOU'RE GROWN.

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KIRK, YOU GROWN.

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Y'ALL ARE TWO ADULTS.

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COME ON.

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LET'S GET THIS TOGETHER.

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WHETHER YOU KNOW IT OR NOT--

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I DON'T KNOW--

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I LOVE YOU JUST AS MUCH

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AS I LOVE RASHEEDA.

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REALLY?

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OKAY?

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I'VE SEEN THE GOOD THINGS THAT

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YOU'VE DONE, AND I'VE SEEN THE

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BAD THINGS THAT YOU'VE DONE.

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I REALLY HATE TO SEE THIS THING

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THAT'S GOIN' ON BETWEEN YOU AND

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HER, AND I WANT YOU GUYS TO GET

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IT TOGETHER, BUT THIS IS WHAT

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I FEEL.

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IN ORDER FOR YOU TO MEND THIS

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THING, YOU NEED TO HAVE

271
00:05:44,767 --> 00:05:47,133
A "I'M SORRY" PARTY.

272
00:05:47,133 --> 00:05:48,467
YOU NEED TO HAVE FRIENDS AND

273
00:05:48,467 --> 00:05:50,767
FAMILY AND APOLOGIZE TO RASHEEDA

274
00:05:50,767 --> 00:05:52,167
IN FRONT OF EVERYBODY.

275
00:05:52,167 --> 00:05:52,967
THAT MIGHT ACTUALLY BE THE

276
00:05:52,967 --> 00:05:54,567
DUMBEST THING I'VE EVER HEARD,

277
00:05:54,567 --> 00:05:56,300
BUT IF THROWING A PARTY WILL GET

278
00:05:56,300 --> 00:05:57,733
THIS WOMAN OFF MY CASE,

279
00:05:57,733 --> 00:05:59,100
THEN BY ALL MEANS,

280
00:05:59,100 --> 00:06:00,533
LET'S THROW A PARTY.

281
00:06:00,533 --> 00:06:01,933
I KNOW THAT RASHEEDA WILL

282
00:06:01,933 --> 00:06:03,567
FEEL LIKE THAT WILL MEND THIS,

283
00:06:03,567 --> 00:06:04,733
BECAUSE LIKE I SAID,

284
00:06:04,733 --> 00:06:05,667
THAT MATERIALISTIC STUFF

285
00:06:05,667 --> 00:06:06,333
IS NOT GONNA GET IT.

286
00:06:06,333 --> 00:06:07,133
IT'S GOT TO BE SOMETHIN'--

287
00:06:07,133 --> 00:06:08,067
MATERIALISTIC STUFF DON'T GET

288
00:06:08,067 --> 00:06:08,733
IT.

289
00:06:08,733 --> 00:06:09,400
HECK-E NO.

290
00:06:09,400 --> 00:06:10,267
IT'S GOT TO BE SOMETHIN' MORE

291
00:06:10,267 --> 00:06:10,933
SINCERE THAN THAT.

292
00:06:10,933 --> 00:06:11,733
SO YOU RUNNIN' OVER MY BIKE

293
00:06:11,733 --> 00:06:12,400
IS NOT WRONG.

294
00:06:12,400 --> 00:06:13,267
WE AIN'T GON' TALK ABOUT THAT

295
00:06:13,267 --> 00:06:14,467
DAMN BIKE, BECAUSE LIKE I SAID--

296
00:06:14,467 --> 00:06:15,367
OKAY, SO MATERIAL STUFF DON'T

297
00:06:15,367 --> 00:06:16,067
BOTHER YOU?

298
00:06:16,067 --> 00:06:16,700
MM-MM.

299
00:06:16,700 --> 00:06:17,900
THESE ARE CHANELS, RIGHT?

300
00:06:17,900 --> 00:06:18,633
YEAH, THEY ARE.

301
00:06:18,633 --> 00:06:19,300
THEY'RE MATERIAL.

302
00:06:19,300 --> 00:06:19,967
THEY COST A LOT.

303
00:06:19,967 --> 00:06:22,367
WHAT IF I JUST DID LIKE THIS?

304
00:06:22,367 --> 00:06:23,433
HOW DO YOU FEEL ABOUT THAT?

305
00:06:23,433 --> 00:06:24,467
IS EVERYTHING EVEN?

306
00:06:24,467 --> 00:06:25,200
NO, IT'S NOT EVEN.

307
00:06:25,200 --> 00:06:26,067
SO WHAT MORE DO YOU WANT

308
00:06:26,067 --> 00:06:26,700
FROM ME?

309
00:06:26,700 --> 00:06:27,433
NOW, WHY Y'ALL GOT TO BE

310
00:06:27,433 --> 00:06:28,333
ARGUIN'?

311
00:06:28,333 --> 00:06:29,067
COME ON, NOW.

312
00:06:29,067 --> 00:06:29,667
NO, BUT I WANT YOU TO

313
00:06:29,667 --> 00:06:30,433
UNDERSTAND.

314
00:06:30,433 --> 00:06:31,567
STOP SAYIN' STUFF IS MATERIAL

315
00:06:31,567 --> 00:06:32,700
AND IT DON'T MATTER.

316
00:06:32,700 --> 00:06:33,533
THAT [bleep] MATTERED TO YOU.

317
00:06:33,533 --> 00:06:34,300
'CAUSE KIRK BROKE 'EM,

318
00:06:34,300 --> 00:06:34,967
BUT THAT'S OKAY.

319
00:06:34,967 --> 00:06:35,633
THAT'S FINE.

320
00:06:35,633 --> 00:06:36,733
NOW, CLEARLY, THESE FOOLS

321
00:06:36,733 --> 00:06:37,933
NEED A REFEREE, SOME SECURITY

322
00:06:37,933 --> 00:06:38,700
OR SOMETHIN', 'CAUSE THIS

323
00:06:38,700 --> 00:06:39,433
[bleep] AIN'T WORKING.

324
00:06:39,433 --> 00:06:41,467
REALLY, KIRK?

325
00:06:50,067 --> 00:06:51,100
YOU GOT TO MAKE SURE THAT ASS

326
00:06:51,100 --> 00:06:52,133
IS TIGHT.

327
00:06:52,133 --> 00:06:53,433
JOSELINE AND ALL HER MUSCLES

328
00:06:53,433 --> 00:06:54,567
ASKED ME TO COME WORK OUT WITH

329
00:06:54,567 --> 00:06:55,933
HER, AND IT'S A PERFECT TIME

330
00:06:55,933 --> 00:06:57,067
FOR ME TO TELL HER WHAT I HEARD

331
00:06:57,067 --> 00:06:58,567
ABOUT STEVIE AND ALTHEA.

332
00:06:58,567 --> 00:07:00,300
OH, EXCUSE ME, HOTHEA.

333
00:07:00,300 --> 00:07:01,633
GET THOSE MOVING PARTS.

334
00:07:01,633 --> 00:07:03,400
JOSELINE IS GONNA LOSE

335
00:07:03,400 --> 00:07:05,133
HER MIND.

336
00:07:05,133 --> 00:07:06,300
HOPEFULLY SHE DON'T START

337
00:07:06,300 --> 00:07:07,900
THROWING BARBELLS WITH ALL THAT

338
00:07:07,900 --> 00:07:09,467
MUSCLES AND TESTOSTERONE SHE GOT

339
00:07:09,467 --> 00:07:10,400
AROUND THE GYM.

340
00:07:10,400 --> 00:07:12,267
KILL YOUR MAN IN THAT BED.

341
00:07:12,267 --> 00:07:13,867
[laughs]

342
00:07:13,867 --> 00:07:14,633
ARE YOU GONNA EVER TAKE

343
00:07:14,633 --> 00:07:16,167
WORKOUTS SERIOUSLY?

344
00:07:16,167 --> 00:07:17,067
I HAVEN'T HEARD FROM STEVIE

345
00:07:17,067 --> 00:07:18,067
SINCE HE WENT TO GO LOOK OUT

346
00:07:18,067 --> 00:07:19,433
FOR BENZINO, SINCE HIS MOTHER

347
00:07:19,433 --> 00:07:20,833
PASSED, BUT I BEEN REALLY BEEN

348
00:07:20,833 --> 00:07:22,567
KEEPING MYSELF BUSY WORKING OUT

349
00:07:22,567 --> 00:07:24,067
AND DOING MY MUSIC,

350
00:07:24,067 --> 00:07:25,300
AND I HAVE TO GO MEET WITH

351
00:07:25,300 --> 00:07:26,633
KARLIE AT THE GYM TO TELL HER

352
00:07:26,633 --> 00:07:27,900
ASS WHAT I FOUND ON STEVIE'S

353
00:07:27,900 --> 00:07:28,633
PHONE.

354
00:07:28,633 --> 00:07:30,067
I WENT THROUGH HIS PHONE, BITCH.

355
00:07:30,067 --> 00:07:30,933
WHAT DID YOU FIND?

356
00:07:30,933 --> 00:07:32,800
FOUR DIFFERENT BOOTY HOLES

357
00:07:32,800 --> 00:07:34,067
AND COOTIE-CAT PICTURES.

358
00:07:34,067 --> 00:07:34,700
AND YOU DIDN'T BUST HIM

359
00:07:34,700 --> 00:07:35,500
IN HIS FACE WHEN YOU FOUND IT?

360
00:07:35,500 --> 00:07:36,167
OH, NO.

361
00:07:36,167 --> 00:07:36,967
I DIDN'T BUST HIM IN HIS FACE.

362
00:07:36,967 --> 00:07:37,833
I WAS LIKE, "SO WHAT THE [bleep]

363
00:07:37,833 --> 00:07:38,633
YOU BEEN DOING WITH ALL THESE

364
00:07:38,633 --> 00:07:39,567
NASTY-ASS PICTURES OF BOOTY

365
00:07:39,567 --> 00:07:40,233
HOLES?"

366
00:07:40,233 --> 00:07:41,267
GIRL, HE HAD THE NERVE TO TELL

367
00:07:41,267 --> 00:07:42,933
ME THOSE WAS NOT HIS PICTURES.

368
00:07:42,933 --> 00:07:44,067
IT'S A RESPECT THING, KARLIE.

369
00:07:44,067 --> 00:07:44,867
AT THIS POINT, HE SHOULDN'T BE

370
00:07:44,867 --> 00:07:45,533
DOING THAT.

371
00:07:45,533 --> 00:07:46,900
LIKE, HOW THIRSTY COULD YOU BE?

372
00:07:46,900 --> 00:07:48,133
I DECIDED TO LET IT GO.

373
00:07:48,133 --> 00:07:49,567
IT'S A DECISION FOR ME.

374
00:07:49,567 --> 00:07:50,667
AS A GROWN WOMAN, I CAN'T JUST

375
00:07:50,667 --> 00:07:51,400
BE PACKING UP AND LEAVING.

376
00:07:51,400 --> 00:07:52,333
I MEAN, I GOT A BUSINESS WITH

377
00:07:52,333 --> 00:07:53,100
THIS MAN.

378
00:07:53,100 --> 00:07:53,867
IT'S A LOT GOING ON.

379
00:07:53,867 --> 00:07:54,533
WHAT YOU MEAN,

380
00:07:54,533 --> 00:07:55,467
IT'S A LOT GOING ON?

381
00:07:55,467 --> 00:07:56,167
WELL, BENZINO'S MOM,

382
00:07:56,167 --> 00:07:56,833
SHE DIED.

383
00:07:56,833 --> 00:07:57,500
SHE PASSED AWAY.

384
00:07:57,500 --> 00:07:58,767
HIS MOM PASSED AWAY?

385
00:07:58,767 --> 00:07:59,867
HIS MOM PASSED AWAY, GIRL.

386
00:07:59,867 --> 00:08:01,133
I GOT TO CALL HIM.

387
00:08:01,133 --> 00:08:03,200
SO STEVIE WENT TO GO SEE HIM?

388
00:08:03,200 --> 00:08:04,133
STEVIE WENT TO GO SEE HIM.

389
00:08:04,133 --> 00:08:04,800
HE'S OUT THERE.

390
00:08:04,800 --> 00:08:05,767
HIM AND HIS GIRLFRIEND

391
00:08:05,767 --> 00:08:06,433
IS OUT THERE--

392
00:08:06,433 --> 00:08:07,100
HOTHEA?

393
00:08:07,100 --> 00:08:07,800
THAT'S WHAT I CALL HER.

394
00:08:07,800 --> 00:08:08,767
WELL, THAT BITCH IS A HO.

395
00:08:08,767 --> 00:08:09,600
NO, SHE'S DEFINITELY A HO.

396
00:08:09,600 --> 00:08:10,300
WE KNOW.

397
00:08:10,300 --> 00:08:11,767
SHE WENT WITH STEVIE,

398
00:08:11,767 --> 00:08:12,967
OR SHE WENT WITH BENZINO?

399
00:08:12,967 --> 00:08:15,767
WHY WOULD SHE GO WITH STEVIE?

400
00:08:15,767 --> 00:08:16,633
WHAT?

401
00:08:16,633 --> 00:08:18,233
I'M JUST SAYIN'.

402
00:08:18,233 --> 00:08:19,300
OH, NO, BITCH. WHAT?

403
00:08:19,300 --> 00:08:20,333
THE OTHER DAY, I WAS AT THE

404
00:08:20,333 --> 00:08:22,467
NAIL SHOP WITH ERICA,

405
00:08:22,467 --> 00:08:24,267
AND SHE TOLD ME THAT MIMI TOLD

406
00:08:24,267 --> 00:08:26,733
HER THAT ALTHEA

407
00:08:26,733 --> 00:08:29,500
AND STEVIE--

408
00:08:29,500 --> 00:08:30,667
YEAH.

409
00:08:30,667 --> 00:08:32,433
WHAT?

410
00:08:32,433 --> 00:08:34,467
WELL, HOW 'BOUT THIS?

411
00:08:34,467 --> 00:08:37,433
SHE SAID MIMI HAD DROPPED

412
00:08:37,433 --> 00:08:39,300
THE BABY OFF, AND SHE SAW ALTHEA

413
00:08:39,300 --> 00:08:40,833
THERE WITH BASICALLY NOTHING ON.

414
00:08:40,833 --> 00:08:41,500
WHERE?

415
00:08:41,500 --> 00:08:42,667
AT STEVIE'S HOUSE.

416
00:08:42,667 --> 00:08:43,533
YOU'RE TELLING ME SHE CAME TO

417
00:08:43,533 --> 00:08:44,233
MY HOUSE AND SHE [bleep]

418
00:08:44,233 --> 00:08:45,267
MY [bleep]?

419
00:08:45,267 --> 00:08:47,733
ERICA TOLD ME THIS, DEAD ASS.

420
00:08:47,733 --> 00:08:48,767
YOU KNOW, WHEN I HEAR THIS

421
00:08:48,767 --> 00:08:50,667
GOSSIP OR THIS TRUTH OR WHATEVER

422
00:08:50,667 --> 00:08:51,500
IT IS, 'CAUSE I DON'T KNOW

423
00:08:51,500 --> 00:08:53,067
WHAT IT IS, IT'S COMING FROM

424
00:08:53,067 --> 00:08:54,533
MESSY-ASS MIMI.

425
00:08:54,533 --> 00:08:55,333
FIRST OF ALL, AT THE END OF THE

426
00:08:55,333 --> 00:08:56,467
DAY, I KNOW MIMI STILL WANT MY

427
00:08:56,467 --> 00:08:57,867
DUDE, AND NOT TO MENTION THAT

428
00:08:57,867 --> 00:08:58,933
SHE DON'T BELIEVE THE FACT THAT

429
00:08:58,933 --> 00:08:59,867
WE ARE MARRIED.

430
00:08:59,867 --> 00:09:01,067
SO AIN'T NO TELLING WHAT THIS

431
00:09:01,067 --> 00:09:02,400
BITCH IS TRYING TO DO TO STIR UP

432
00:09:02,400 --> 00:09:04,333
SOME [bleep] IN MY HOUSEHOLD

433
00:09:04,333 --> 00:09:05,667
WHETHER IT'S TRUTH OR NOT.

434
00:09:05,667 --> 00:09:06,733
I'M GONNA FIGURE THAT OUT.

435
00:09:06,733 --> 00:09:07,767
I'MA GET TO THE BOTTOM OF THIS.

436
00:09:07,767 --> 00:09:08,433
'CAUSE YOU KNOW WHAT?

437
00:09:08,433 --> 00:09:09,367
IT CAME FROM BITCHES THAT

438
00:09:09,367 --> 00:09:10,133
I DON'T [bleep] WITH,

439
00:09:10,133 --> 00:09:11,533
BUT I TELL YOU WHAT, KARLIE.

440
00:09:11,533 --> 00:09:12,667
I ASKED HIM, I SAID, "YOU KNOW

441
00:09:12,667 --> 00:09:13,333
THIS BITCH?"

442
00:09:13,333 --> 00:09:14,333
'CAUSE YOU KNOW HOS GET AROUND.

443
00:09:14,333 --> 00:09:15,067
HE LIKE, "OH, NO,

444
00:09:15,067 --> 00:09:15,767
I DON'T KNOW HER."

445
00:09:15,767 --> 00:09:16,500
DID HE SAY HE DIDN'T KNOW

446
00:09:16,500 --> 00:09:17,167
HER?

447
00:09:17,167 --> 00:09:17,933
LISTEN, HE SAID HE DIDN'T

448
00:09:17,933 --> 00:09:19,067
KNOW HER LIKE HE AIN'T NEVER MET

449
00:09:19,067 --> 00:09:20,133
THE BITCH BEFORE, AND HE MET

450
00:09:20,133 --> 00:09:20,933
THE BITCH BEFORE.

451
00:09:20,933 --> 00:09:22,067
IF HE [bleep] THAT,

452
00:09:22,067 --> 00:09:23,800
HE BETTER PRAY THAT THAT [bleep]

453
00:09:23,800 --> 00:09:24,833
WAS GOOD ENOUGH.

454
00:09:24,833 --> 00:09:25,633
WAIT TILL HE COME BACK FROM

455
00:09:25,633 --> 00:09:26,633
OUT OF TOWN.

456
00:09:26,633 --> 00:09:27,500
HE THINK HE'S GONNA COME

457
00:09:27,500 --> 00:09:28,533
BACK TO A HAPPY WOMAN

458
00:09:28,533 --> 00:09:29,867
'CAUSE HE LEFT A HAPPY WOMAN?

459
00:09:29,867 --> 00:09:30,533
HE GONNA COME BACK TO

460
00:09:30,533 --> 00:09:32,533
A SAVAGE ANIMAL.

461
00:09:33,933 --> 00:09:34,967
OH, MY GOD.

462
00:09:34,967 --> 00:09:36,067
YEAH, IT'S REAL.

463
00:09:36,067 --> 00:09:37,467
THEY SAYIN' BENZINO GOT SHOT.

464
00:09:37,467 --> 00:09:38,733
SO, MIMI, I GOT THE PREVIEW

465
00:09:38,733 --> 00:09:39,533
OF THE TAPE.

466
00:09:39,533 --> 00:09:40,500
HAVE YOU SEEN IT?

467
00:09:40,500 --> 00:09:41,500
I'VE SEEN IT FIVE TIMES.

468
00:09:41,500 --> 00:09:42,233
I REALLY BEEN THINKING,

469
00:09:42,233 --> 00:09:43,167
THOUGH.

470
00:09:43,167 --> 00:09:44,667
I DON'T WANT NO WEDDING.

471
00:09:44,667 --> 00:09:45,700
WHAT?

472
00:09:45,700 --> 00:09:47,133
WHAT ARE YOU DOING HERE?

473
00:09:47,133 --> 00:09:47,867
HAD A LITTLE SURPRISE

474
00:09:47,867 --> 00:09:49,067
FOR YOU.

475
00:09:49,067 --> 00:09:49,767
I'VE BEEN FAITHFUL TO YOU

476
00:09:49,767 --> 00:09:50,467
SINCE I'VE BEEN WITH YOU.

477
00:09:50,467 --> 00:09:51,333
NO, YOU HAVEN'T.

478
00:09:51,333 --> 00:09:52,100
I'VE DEDICATED TWO YEARS

479
00:09:52,100 --> 00:09:52,767
OF MY LIFE TO YOU.

480
00:09:52,767 --> 00:09:53,467
YOU HAVEN'T DEDICATED

481
00:09:53,467 --> 00:09:54,133
NOTHING.

482
00:09:54,133 --> 00:09:56,133
YOU'VE DEDICATED LIES.

483
00:10:03,033 --> 00:10:04,233
I GOT SOME WINE.

484
00:10:04,233 --> 00:10:05,067
YOU WANT A DRINK?

485
00:10:05,067 --> 00:10:06,267
ARE YOU GONNA DRINK WITH ME?

486
00:10:06,267 --> 00:10:07,100
I'LL TAKE A SIP.

487
00:10:07,100 --> 00:10:08,267
WHY ARE YOU FAKING?

488
00:10:08,267 --> 00:10:09,367
I WILL.

489
00:10:09,367 --> 00:10:10,200
YOU KNOW THAT'S HOW YOUR SON

490
00:10:10,200 --> 00:10:11,500
GOT SOME.

491
00:10:11,500 --> 00:10:12,933
[laughs]

492
00:10:12,933 --> 00:10:14,367
AS A FAMILY, WE'RE ALL TRYING

493
00:10:14,367 --> 00:10:16,033
TO PULL TOGETHER AND MOVE

494
00:10:16,033 --> 00:10:18,500
FORWARD IN A POSITIVE LIGHT.

495
00:10:18,500 --> 00:10:20,833
SO DEB CALLS ME OVER, AND SHE'S

496
00:10:20,833 --> 00:10:22,067
PULLING OUT WINE GLASSES,

497
00:10:22,067 --> 00:10:23,367
AND SHE DOESN'T EVEN DRINK.

498
00:10:23,367 --> 00:10:24,467
SO I'M KIND OF NERVOUS.

499
00:10:24,467 --> 00:10:26,067
I KNOW THAT WE DID SPEAK

500
00:10:26,067 --> 00:10:28,533
ABOUT THIS SUPER HUGE WEDDING,

501
00:10:28,533 --> 00:10:30,000
BUT I'M HOPING THAT WE WILL GET

502
00:10:30,000 --> 00:10:32,967
TO DO A SMALL, INTIMATE SETTING,

503
00:10:32,967 --> 00:10:34,700
NOT SOMETHING REALLY BIG.

504
00:10:34,700 --> 00:10:36,233
SO WHY THE CHANGE OF HEART?

505
00:10:36,233 --> 00:10:37,533
AT FIRST, I WAS VERY EXCITED

506
00:10:37,533 --> 00:10:38,600
ABOUT THIS BIG WEDDING.

507
00:10:38,600 --> 00:10:39,933
I WANTED TO SHOW OFF.

508
00:10:39,933 --> 00:10:41,600
BUT NOW, AFTER THE DEATH OF

509
00:10:41,600 --> 00:10:43,967
KAYO,

510
00:10:43,967 --> 00:10:45,467
SECOND THOUGHTS.

511
00:10:45,467 --> 00:10:46,567
BEING AROUND ALL THOSE PEOPLE

512
00:10:46,567 --> 00:10:48,867
AND THE DRAMA, I'M NOT READY.

513
00:10:48,867 --> 00:10:50,400
IT'S THE HARDEST THING

514
00:10:50,400 --> 00:10:52,433
RELEASING AND LETTING GO,

515
00:10:52,433 --> 00:10:53,500
BUT YOU GOT TO GET UP

516
00:10:53,500 --> 00:10:54,467
AND MOVE ON.

517
00:10:54,467 --> 00:10:55,733
WHAT I REALLY WANT US TO DO

518
00:10:55,733 --> 00:10:57,100
IS TO GO SOMEWHERE AND DO IT

519
00:10:57,100 --> 00:10:58,367
AS A FAMILY NET

520
00:10:58,367 --> 00:10:59,833
SO WE CAN GET AWAY

521
00:10:59,833 --> 00:11:01,867
AND JUST HAVE SOME US TIME.

522
00:11:01,867 --> 00:11:02,867
OH, THAT SOUNDS SO GOOD.

523
00:11:02,867 --> 00:11:04,567
I ONLY AGREED TO HAVING A

524
00:11:04,567 --> 00:11:06,533
BIG-ASS WEDDING BECAUSE THAT'S

525
00:11:06,533 --> 00:11:08,800
WHAT DEB AND EVERYONE WANTED.

526
00:11:08,800 --> 00:11:10,400
NOW SHE'S TELLING ME THAT

527
00:11:10,400 --> 00:11:11,933
SHE WANTS SOMETHING SMALL

528
00:11:11,933 --> 00:11:12,600
AND PRIVATE.

529
00:11:12,600 --> 00:11:13,900
SO I COULDN'T BE MORE HAPPY.

530
00:11:13,900 --> 00:11:15,600
IT'S LIKE A BIG STRESS RELIEVER.

531
00:11:15,600 --> 00:11:17,367
BEING UNITED, [bleep] A RING,

532
00:11:17,367 --> 00:11:18,100
[bleep] A BIG WEDDING,

533
00:11:18,100 --> 00:11:19,133
JUST US.

534
00:11:19,133 --> 00:11:20,800
WE ALL LOST THE MOST POSITIVE

535
00:11:20,800 --> 00:11:22,200
THING THAT SURROUNDED US,

536
00:11:22,200 --> 00:11:23,433
WHICH WAS KAYO,

537
00:11:23,433 --> 00:11:24,700
AND NOW THAT HE'S GONE, HE CAN'T

538
00:11:24,700 --> 00:11:26,300
GIVE US THAT LIGHT NO MORE.

539
00:11:26,300 --> 00:11:27,067
SO WE HAVE TO FIND IT

540
00:11:27,067 --> 00:11:28,133
WITHIN EACH OTHER.

541
00:11:28,133 --> 00:11:29,267
I'M GLAD YOU JUST SAID THAT,

542
00:11:29,267 --> 00:11:30,067
'CAUSE THAT'S EVEN MORE

543
00:11:30,067 --> 00:11:32,133
CONFIRMATION THAT

544
00:11:32,133 --> 00:11:33,867
WE NEED TO MOVE ON.

545
00:11:33,867 --> 00:11:34,667
YEAH.

546
00:11:34,667 --> 00:11:35,800
I'M GLAD THAT YOU'RE MOVING

547
00:11:35,800 --> 00:11:37,833
GOOD WITH FASHION.

548
00:11:37,833 --> 00:11:39,667
IT IS GONNA BECOME OVERWHELMING.

549
00:11:39,667 --> 00:11:40,967
I DON'T THINK SO.

550
00:11:40,967 --> 00:11:42,600
SO NOW IS THE TIME TO START

551
00:11:42,600 --> 00:11:43,567
BALANCING IT OUT.

552
00:11:43,567 --> 00:11:44,367
YEAH, LEARNING TO BALANCE

553
00:11:44,367 --> 00:11:45,067
IT OUT.

554
00:11:45,067 --> 00:11:46,533
T. RIVERA CLOTHING LINE--

555
00:11:46,533 --> 00:11:47,500
THIS IS SOMETHING THAT I'VE BEEN

556
00:11:47,500 --> 00:11:50,067
WORKING ON FOR SO LONG.

557
00:11:50,067 --> 00:11:51,833
IT'S HARD, AND IT'S DEFINITELY

558
00:11:51,833 --> 00:11:54,167
STRESSFUL, BUT IT'S BETTER THAN

559
00:11:54,167 --> 00:11:56,567
JUST SITTING AROUND BEING SAD.

560
00:11:56,567 --> 00:11:57,233
IT'S BEEN SUCH A GOOD

561
00:11:57,233 --> 00:11:58,233
DISTRACTION FROM EVERYTHING

562
00:11:58,233 --> 00:11:59,533
THAT'S GOING WITH MY FAMILY,

563
00:11:59,533 --> 00:12:01,333
AND JUST BEING ABLE TO COPE

564
00:12:01,333 --> 00:12:02,867
BY JUST THROWING MYSELF

565
00:12:02,867 --> 00:12:04,067
INTO MY WORK.

566
00:12:04,067 --> 00:12:05,533
YOU'RE GOING INTO SOMETHING

567
00:12:05,533 --> 00:12:06,767
BIG.

568
00:12:06,767 --> 00:12:08,733
T. RIVERA IS VERY, VERY BIG.

569
00:12:08,733 --> 00:12:10,200
YEAH, I'M WORKING ON IT.

570
00:12:10,200 --> 00:12:11,700
I DON'T WANT TO SLACK ON

571
00:12:11,700 --> 00:12:14,067
ANYTHING BECAUSE I'M GONNA BRING

572
00:12:14,067 --> 00:12:16,233
THE FASHION WEEK NEW YORK FEEL

573
00:12:16,233 --> 00:12:17,067
TO ATLANTA.

574
00:12:17,067 --> 00:12:18,800
I DON'T THINK NOBODY HAS DONE

575
00:12:18,800 --> 00:12:20,433
WHAT I WANT TO DO YET.

576
00:12:20,433 --> 00:12:21,367
MAKE IT YOU.

577
00:12:21,367 --> 00:12:22,067
MAKE IT ME.

578
00:12:22,067 --> 00:12:23,233
WE'LL TAKE A DRINK TO THAT.

579
00:12:23,233 --> 00:12:25,633
YEAH, CHEERS TO THAT.

580
00:12:26,833 --> 00:12:27,833
[somber music]

581
00:12:27,833 --> 00:12:35,833
♪

582
00:12:41,433 --> 00:12:42,567
IT'S BEEN A TOUGH COUPLE

583
00:12:42,567 --> 00:12:44,100
OF DAYS SINCE MY MOM PASSED.

584
00:12:44,100 --> 00:12:45,167
BEING IN BOSTON IS REALLY

585
00:12:45,167 --> 00:12:46,167
SURREAL.

586
00:12:46,167 --> 00:12:47,600
I MADE THE DECISION TO GO TO THE

587
00:12:47,600 --> 00:12:49,433
WAKE REAL EARLY BEFORE ANYBODY

588
00:12:49,433 --> 00:12:50,933
WAS THERE BECAUSE,

589
00:12:50,933 --> 00:12:51,867
YOU KNOW, THERE WAS--

590
00:12:51,867 --> 00:12:52,733
IT WAS A CERTAIN ENERGY

591
00:12:52,733 --> 00:12:54,067
I DIDN'T WANT TO BE AROUND.

592
00:12:54,067 --> 00:12:55,100
I JUST WANTED TO MOURN HER

593
00:12:55,100 --> 00:12:56,300
BY MYSELF.

594
00:12:56,300 --> 00:12:57,067
YOU KNOW, I WANTED TO GO TO

595
00:12:57,067 --> 00:12:58,300
THE WAKE WITHOUT ANYBODY

596
00:12:58,300 --> 00:13:02,300
BEING THERE.

597
00:13:02,300 --> 00:13:03,700
I GREW UP LOVING

598
00:13:03,700 --> 00:13:05,067
ALL MY FAMILY.

599
00:13:05,067 --> 00:13:07,067
IT'S JUST THAT UNFORTUNATELY,

600
00:13:07,067 --> 00:13:08,900
THINGS CHANGE.

601
00:13:08,900 --> 00:13:10,533
WHAT I'VE LEARNED IS THAT MONEY

602
00:13:10,533 --> 00:13:13,067
AND FAMILY SOMETIMES DON'T MIX.

603
00:13:19,733 --> 00:13:20,733
DEVELOPING NEWS

604
00:13:20,733 --> 00:13:21,633
CONCERNING A RAPPER

605
00:13:21,633 --> 00:13:22,800
AND MUSIC PRODUCER WITH LOCAL

606
00:13:22,800 --> 00:13:24,067
ROOTS KNOWN BY THE NAME

607
00:13:24,067 --> 00:13:24,933
BENZINO.

608
00:13:24,933 --> 00:13:25,867
HE WAS SHOT WHILE RIDING

609
00:13:25,867 --> 00:13:26,867
IN A FUNERAL PROCESSION

610
00:13:26,867 --> 00:13:28,367
FOR HIS MOTHER TODAY.

611
00:13:28,367 --> 00:13:29,467
THE HORRIFIC SCENE:

612
00:13:29,467 --> 00:13:30,733
A MAN SHOT DURING

613
00:13:30,733 --> 00:13:32,067
A FUNERAL PROCESSION,

614
00:13:32,067 --> 00:13:33,267
THE BULLETS FIRED FROM

615
00:13:33,267 --> 00:13:34,167
A DIFFERENT CAR

616
00:13:34,167 --> 00:13:35,700
IN THAT SAME PROCESSION.

617
00:13:35,700 --> 00:13:36,800
IT WAS AWFUL AND JUST BLOOD,

618
00:13:36,800 --> 00:13:38,267
BRIGHT RED BLOOD EVERYWHERE.

619
00:13:38,267 --> 00:13:39,333
THE GUY GETS OUT OF THE CAR.

620
00:13:39,333 --> 00:13:41,333
HE'S JUST COVERED IN BLOOD.

621
00:13:48,100 --> 00:13:51,100
[monitor beeping]

622
00:13:55,700 --> 00:13:56,633
I JUST GOT THE NEWS THAT

623
00:13:56,633 --> 00:13:57,933
BENZINO WAS SHOT, AND I'VE NEVER

624
00:13:57,933 --> 00:13:59,833
BEEN SO SCARED IN MY LIFE.

625
00:13:59,833 --> 00:14:01,700
ONE MINUTE, WE'RE FIGHTING ABOUT

626
00:14:01,700 --> 00:14:02,600
WHAT HAPPENED BETWEEN ME

627
00:14:02,600 --> 00:14:03,667
AND STEVIE, AND THEN THE NEXT

628
00:14:03,667 --> 00:14:05,267
MINUTE, HE'S HEADED TO BOSTON

629
00:14:05,267 --> 00:14:06,900
BECAUSE HIS MOTHER PASSED AWAY,

630
00:14:06,900 --> 00:14:08,067
AND NOW HE'S LAYING IN THE

631
00:14:08,067 --> 00:14:09,567
HOSPITAL WITH BULLETS IN HIM.

632
00:14:09,567 --> 00:14:11,400
THAT'S GOOD.

633
00:14:11,400 --> 00:14:12,633
OH, MAN.

634
00:14:12,633 --> 00:14:14,467
LIFE CAN CHANGE IN A INSTANT.

635
00:14:14,467 --> 00:14:15,133
CRAZY.

636
00:14:15,133 --> 00:14:16,533
I LOVE THIS MAN,

637
00:14:16,533 --> 00:14:17,433
AND I DON'T WANT TO FIGHT

638
00:14:17,433 --> 00:14:18,600
WITH HIM ANYMORE.

639
00:14:18,600 --> 00:14:19,267
LIKE, WHO DID THIS?

640
00:14:19,267 --> 00:14:20,167
HOW DID YOU SEE...

641
00:14:20,167 --> 00:14:21,067
WELL, I WAS ON THE LEFT SIDE.

642
00:14:21,067 --> 00:14:21,733
THEY WAS ON THE RIGHT.

643
00:14:21,733 --> 00:14:23,100
THEY WAS KIND OF GOIN' SLOW.

644
00:14:23,100 --> 00:14:24,333
ALL I SEEN WAS--

645
00:14:24,333 --> 00:14:25,567
HEARD AND SEEN GUNSHOTS.

646
00:14:25,567 --> 00:14:27,067
IT WAS A CAR ON THAT SIDE

647
00:14:27,067 --> 00:14:28,200
IN THE PROCESSION,

648
00:14:28,200 --> 00:14:29,300
ROLLED THE WINDOW DOWN

649
00:14:29,300 --> 00:14:30,633
AND JUST STARTED DUMPIN'.

650
00:14:30,633 --> 00:14:32,400
THE FIRST ONE HIT ME, BOOM.

651
00:14:32,400 --> 00:14:33,667
BLOOD ALL OVER THE PLACE.

652
00:14:33,667 --> 00:14:35,433
THE SECOND ONE KIND OF GRAZED ME

653
00:14:35,433 --> 00:14:36,600
ON MY BACK, WENT IN AND OUT

654
00:14:36,600 --> 00:14:38,233
RIGHT THERE.

655
00:14:38,233 --> 00:14:39,233
AND ALL I REMEMBER

656
00:14:39,233 --> 00:14:40,800
WAS JUST ME STILL DRIVING.

657
00:14:40,800 --> 00:14:41,833
THEY JUST KEPT SHOOTING.

658
00:14:41,833 --> 00:14:42,800
I HEARD, LIKE, FIVE OR SIX

659
00:14:42,800 --> 00:14:43,467
SHOTS.

660
00:14:43,467 --> 00:14:44,733
AND I WAS DRIVING WITH THIS

661
00:14:44,733 --> 00:14:46,067
HAND, AND I WAS KEEPING MY THUMB

662
00:14:46,067 --> 00:14:47,867
INSIDE THE HOLE.

663
00:14:47,867 --> 00:14:48,967
I KNEW THE BLOOD WAS COMING OUT

664
00:14:48,967 --> 00:14:49,833
SO MUCH.

665
00:14:49,833 --> 00:14:50,700
I COULDN'T BELIEVE ALL THE

666
00:14:50,700 --> 00:14:51,733
BLOOD, AND I JUST PUT MY THUMB

667
00:14:51,733 --> 00:14:53,433
IN THE HOLE AND I LEFT IT THERE,

668
00:14:53,433 --> 00:14:55,067
AND THEN I JUST FELT LIKE I WAS

669
00:14:55,067 --> 00:14:55,900
GONNA GET DIZZY AND I SHOULD GET

670
00:14:55,900 --> 00:14:56,567
OUT THE CAR.

671
00:14:56,567 --> 00:14:57,533
I GOT OUT THE CAR.

672
00:14:57,533 --> 00:14:58,833
I RAN.

673
00:14:58,833 --> 00:14:59,500
THERE WAS BLOOD ON--

674
00:14:59,500 --> 00:15:00,433
WELL, IT HAPPENED IN FRONT OF

675
00:15:00,433 --> 00:15:01,100
HER, BABE?

676
00:15:01,100 --> 00:15:01,767
THERE WAS BLOOD.

677
00:15:01,767 --> 00:15:02,633
WHEN I WAS RUNNING IN THE MIDDLE

678
00:15:02,633 --> 00:15:03,300
OF THE HIGHWAY--

679
00:15:03,300 --> 00:15:04,100
THERE WAS BLOOD ALL OVER--

680
00:15:04,100 --> 00:15:07,667
I WENT TO THE HEARSE...

681
00:15:07,667 --> 00:15:09,467
AND MY BLOOD WAS ON HER CASKET.

682
00:15:09,467 --> 00:15:10,200
THAT'S CRAZY.

683
00:15:10,200 --> 00:15:11,367
AND THAT'S GOING WITH HER.

684
00:15:11,367 --> 00:15:12,067
THAT'S CRAZY.

685
00:15:12,067 --> 00:15:12,700
IS THAT CRAZY?

686
00:15:12,700 --> 00:15:14,067
THAT'S CRAZY.

687
00:15:14,067 --> 00:15:15,567
I GOT IN SOMEBODY'S CAR,

688
00:15:15,567 --> 00:15:16,533
AND I JUST STARTED KIND OF,

689
00:15:16,533 --> 00:15:17,467
LIKE, BLACKING OUT.

690
00:15:17,467 --> 00:15:19,100
THE NEXT THING I KNOW,

691
00:15:19,100 --> 00:15:21,667
I WAS AT THE HOSPITAL.

692
00:15:21,667 --> 00:15:22,933
CRAZY, MAMA.

693
00:15:22,933 --> 00:15:23,667
BABE, YOU'RE SO BLESSED

694
00:15:23,667 --> 00:15:24,333
TO BE ALIVE.

695
00:15:24,333 --> 00:15:25,500
OH, MY GOSH.

696
00:15:25,500 --> 00:15:26,167
WHO DID THIS, BABE?

697
00:15:26,167 --> 00:15:27,500
I DON'T KNOW, BABE.

698
00:15:27,500 --> 00:15:29,333
IT'S NOT EASY WHEN YOU THINK

699
00:15:29,333 --> 00:15:30,500
THAT YOU GOT A FAMILY THAT LOVES

700
00:15:30,500 --> 00:15:31,733
YOU AND YOU GOT A FAMILY THAT

701
00:15:31,733 --> 00:15:34,167
CARES FOR YOU AND THEN [bleep]

702
00:15:34,167 --> 00:15:35,400
TURNS TO MONEY.

703
00:15:35,400 --> 00:15:36,700
YOU KNOW, MY MOTHER WAS GOOD

704
00:15:36,700 --> 00:15:37,733
TO EVERYBODY, MAN.

705
00:15:37,733 --> 00:15:38,433
YOU KNOW WHAT I'M SAYING?

706
00:15:38,433 --> 00:15:39,767
I'M SORRY.

707
00:15:39,767 --> 00:15:41,433
I DON'T UNDERSTAND IT.

708
00:15:41,433 --> 00:15:42,233
YOU KNOW WHAT I'M SAYIN'?

709
00:15:42,233 --> 00:15:43,433
I DON'T, MAN. I DON'T.

710
00:15:43,433 --> 00:15:45,400
I KNOW FOR A FACT

711
00:15:45,400 --> 00:15:48,133
THAT SHE WAS WATCHING OVER ME.

712
00:15:48,133 --> 00:15:49,267
THAT'S CRAZY.

713
00:15:49,267 --> 00:15:50,467
THAT'S WHY, YOU KNOW--

714
00:15:50,467 --> 00:15:51,367
AND IT'S JUST CRAZY HOW

715
00:15:51,367 --> 00:15:52,467
EVERYTHING HAPPENED, BABE.

716
00:15:52,467 --> 00:15:53,533
LOOK, THERE'S FAMILY,

717
00:15:53,533 --> 00:15:54,867
AND THERE'S RELATIVES,

718
00:15:54,867 --> 00:15:56,300
BUT ALL THAT, YOU KNOW,

719
00:15:56,300 --> 00:15:57,133
IT DOESN'T MATTER.

720
00:15:57,133 --> 00:15:58,300
YOU KNOW WHAT I'M SAYIN'?

721
00:15:58,300 --> 00:15:59,600
I LOVE YOU.

722
00:15:59,600 --> 00:16:00,467
YOU KNOW WHAT I'M SAYIN'?

723
00:16:00,467 --> 00:16:01,300
I LOVE YOU TOO.

724
00:16:01,300 --> 00:16:01,967
AND I WAS SITTING HERE

725
00:16:01,967 --> 00:16:02,633
LAYING.

726
00:16:02,633 --> 00:16:03,700
I WAS JUST LIKE, THEA,

727
00:16:03,700 --> 00:16:04,600
I DON'T GIVE A [bleep]

728
00:16:04,600 --> 00:16:05,767
ABOUT NOTHING.

729
00:16:05,767 --> 00:16:06,533
THE [bleep] THAT HAPPENED

730
00:16:06,533 --> 00:16:07,233
WITH STEVIE,

731
00:16:07,233 --> 00:16:08,367
I DON'T CARE ABOUT THAT.

732
00:16:08,367 --> 00:16:09,100
I PROBABLY WOULDN'T EVEN

733
00:16:09,100 --> 00:16:10,167
KNOW YOU.

734
00:16:10,167 --> 00:16:10,933
YOU KNOW WHAT I'M SAYIN'?

735
00:16:10,933 --> 00:16:11,867
LISTEN. LISTEN TO ME.

736
00:16:11,867 --> 00:16:13,267
I CONNECTED WITH YOU.

737
00:16:13,267 --> 00:16:14,733
I NEVER CONNECTED WITH ANYBODY

738
00:16:14,733 --> 00:16:16,600
LIKE THAT, AND YOU GOT MY WORD.

739
00:16:16,600 --> 00:16:17,433
I'LL NEVER BRING THAT [bleep]

740
00:16:17,433 --> 00:16:18,100
UP AGAIN.

741
00:16:18,100 --> 00:16:19,300
SO NO MORE FIGHTS ABOUT IT.

742
00:16:19,300 --> 00:16:20,300
I WAS FIGHTING WITH MYSELF,

743
00:16:20,300 --> 00:16:21,433
YOU KNOW?

744
00:16:21,433 --> 00:16:22,767
BEING JEALOUS AND BEING--

745
00:16:22,767 --> 00:16:24,333
AT THE END OF THE DAY, MAN,

746
00:16:24,333 --> 00:16:26,167
I GOT A [bleep] DIAMOND, YO,

747
00:16:26,167 --> 00:16:27,067
AND THAT'S ALL THAT COUNT

748
00:16:27,067 --> 00:16:28,067
FOR ME.

749
00:16:28,067 --> 00:16:30,167
IT'S ABOUT NOW AND EVERY DAY

750
00:16:30,167 --> 00:16:31,367
THAT WE SPEND TOGETHER.

751
00:16:31,367 --> 00:16:32,333
I LOVE YOU.

752
00:16:32,333 --> 00:16:33,667
ONE THING I DO KNOW

753
00:16:33,667 --> 00:16:34,700
IS, WE'RE TOGETHER,

754
00:16:34,700 --> 00:16:35,567
AND THAT'S ALL THAT MATTERS

755
00:16:35,567 --> 00:16:36,267
TO ME.

756
00:16:36,267 --> 00:16:37,233
YOU'RE MY BEST FRIEND.

757
00:16:37,233 --> 00:16:38,667
YOU'RE MY BEST FRIEND TOO.

758
00:16:38,667 --> 00:16:40,667
AND WE GON' KEEP IT MOVING.

759
00:16:51,067 --> 00:16:53,067
I RUSHED TO BOSTON TO HELP

760
00:16:53,067 --> 00:16:54,367
MY BROTHER BURY HIS MOTHER.

761
00:16:54,367 --> 00:16:55,933
I GOT HERE AS SOON AS I COULD.

762
00:16:55,933 --> 00:16:57,067
I HADN'T EVEN GOT A CHANCE TO

763
00:16:57,067 --> 00:16:58,833
TELL JOSELINE WHAT WAS GOING ON.

764
00:16:58,833 --> 00:17:00,100
I'M JUST GRATEFUL THAT MY MAN

765
00:17:00,100 --> 00:17:00,933
IS UP ALIVE.

766
00:17:00,933 --> 00:17:03,367
HE HAD ME SCARED [bleep].

767
00:17:03,367 --> 00:17:05,367
TALK TO ME, MAN.

768
00:17:10,533 --> 00:17:11,700
MAN, THAT--LOOK, MAN.

769
00:17:11,700 --> 00:17:13,067
YOU KNOW, SLEAZE,

770
00:17:13,067 --> 00:17:14,133
I KNOW ABOUT THE SITUATION

771
00:17:14,133 --> 00:17:14,967
WITH YOU AND THEA.

772
00:17:14,967 --> 00:17:16,300
SHE TOLD ME.

773
00:17:16,300 --> 00:17:17,933
I LOVE HER TO DEATH,

774
00:17:17,933 --> 00:17:19,067
AND WHAT WAS THE PAST

775
00:17:19,067 --> 00:17:19,833
IS THE PAST.

776
00:17:19,833 --> 00:17:21,200
LISTEN, WHATEVER ZINO THINK

777
00:17:21,200 --> 00:17:23,233
HE KNOWS, NOW IS NOT THE TIME

778
00:17:23,233 --> 00:17:24,400
TO TALK ABOUT IT.

779
00:17:24,400 --> 00:17:25,767
I NEED MY MANS TO USE HIS ENERGY

780
00:17:25,767 --> 00:17:26,733
TO GET BETTER.

781
00:17:26,733 --> 00:17:28,500
HE'S ALIVE, HE'S TALKING,

782
00:17:28,500 --> 00:17:29,533
AND THAT'S ALL THAT MATTERS

783
00:17:29,533 --> 00:17:30,267
RIGHT NOW.

784
00:17:30,267 --> 00:17:31,500
WE DONE BEEN THROUGH SO MUCH,

785
00:17:31,500 --> 00:17:32,467
AND WE GOT SO MUCH GOOD THINGS

786
00:17:32,467 --> 00:17:33,567
GOIN'.

787
00:17:33,567 --> 00:17:34,733
I DON'T CARE ABOUT THAT.

788
00:17:34,733 --> 00:17:35,633
YOU KNOW WHAT I'M SAYIN'?

789
00:17:35,633 --> 00:17:36,800
I FINALLY MET SOMEBODY LIKE--

790
00:17:36,800 --> 00:17:38,600
LISTEN, Y'ALL LOOK GOOD

791
00:17:38,600 --> 00:17:39,300
TOGETHER.

792
00:17:39,300 --> 00:17:40,533
I'M HAPPY FOR YOU, Z.

793
00:17:40,533 --> 00:17:41,667
I APPRECIATE THAT FOR REAL,

794
00:17:41,667 --> 00:17:42,367
SLEAZE-O.

795
00:17:42,367 --> 00:17:43,633
COME HERE, BOTH OF Y'ALL.

796
00:17:43,633 --> 00:17:44,633
COME ON.

797
00:17:44,633 --> 00:17:46,633
I LOVE BOTH OF Y'ALL, MAN.

798
00:17:49,367 --> 00:17:51,567
OH, MY GOD.

799
00:17:51,567 --> 00:17:52,767
WHAT ARE YOU THINKING?

800
00:17:52,767 --> 00:17:54,767
[whispering] I HAVE NO WORDS.

801
00:18:04,500 --> 00:18:05,267
* LISTEN

802
00:18:05,267 --> 00:18:06,200
♪ SAY YOU LOVE ME

803
00:18:06,200 --> 00:18:06,867
♪ BUT YOU DON'T ♪

804
00:18:06,867 --> 00:18:07,533
♪ WHY YOU GOT TO LIE

805
00:18:07,533 --> 00:18:08,633
♪ LIKE THAT?

806
00:18:08,633 --> 00:18:09,533
♪ SAY YOU WILL

807
00:18:09,533 --> 00:18:10,333
♪ BUT YOU WON'T ♪

808
00:18:10,333 --> 00:18:12,300
♪ BUT YOU CAN'T TAKE THAT BACK ♪

809
00:18:12,300 --> 00:18:13,900
♪ ALL THE GAMES AND THE LIES

810
00:18:13,900 --> 00:18:15,500
♪ I DONE TRIED AND I TRIED

811
00:18:15,500 --> 00:18:16,333
♪ NOW YOU [bleep]

812
00:18:16,333 --> 00:18:17,200
♪ WITH MY PRIDE

813
00:18:17,200 --> 00:18:18,533
♪ I'M GONNA SAY, "HOLD ON" ♪

814
00:18:18,533 --> 00:18:20,133
♪ HE BEEN DOING YOU SO WRONG

815
00:18:20,133 --> 00:18:20,800
♪ YOU CAN KEEP THEM

816
00:18:20,800 --> 00:18:21,467
♪ BIRKIN BAGS

817
00:18:21,467 --> 00:18:22,167
♪ THEM SHOPPING SPREES

818
00:18:22,167 --> 00:18:23,500
♪ AND ROLL ON

819
00:18:23,500 --> 00:18:25,267
♪ I'M THAT BOSS BITCH YOU LOVE ♪

820
00:18:25,267 --> 00:18:26,600
♪ THAT BOSS BITCH YOU NEED

821
00:18:26,600 --> 00:18:27,467
♪ WHAT GOES AROUND

822
00:18:27,467 --> 00:18:28,267
♪ IT COMES AROUND

823
00:18:28,267 --> 00:18:29,167
♪ AND YOU COMING RIGHT BACK

824
00:18:29,167 --> 00:18:30,200
♪ TO ME

825
00:18:30,200 --> 00:18:31,833
* I'M EVERY WOMAN ♪

826
00:18:31,833 --> 00:18:32,567
♪ YOU KNOW ME

827
00:18:32,567 --> 00:18:33,233
YES!

828
00:18:33,233 --> 00:18:34,600
HEY!

829
00:18:34,600 --> 00:18:35,267
YOU KILLED IT!

830
00:18:35,267 --> 00:18:35,933
COME ON.

831
00:18:35,933 --> 00:18:36,633
YOU KILLED THAT VERSE.

832
00:18:36,633 --> 00:18:37,467
YES, MA'AM.

833
00:18:37,467 --> 00:18:38,533
I'M SO PROUD OF YOU.

834
00:18:38,533 --> 00:18:39,200
COME ON IN, RA.

835
00:18:39,200 --> 00:18:40,500
I'M COMING. I'M COMING.

836
00:18:40,500 --> 00:18:41,833
FINALLY, THE KALENNA

837
00:18:41,833 --> 00:18:42,933
AND RASHEEDA COLLABORATION

838
00:18:42,933 --> 00:18:43,767
IS COMPLETE,

839
00:18:43,767 --> 00:18:44,833
AND I REALLY APPRECIATE HER

840
00:18:44,833 --> 00:18:45,733
DOING THIS, 'CAUSE SHE'S BEEN

841
00:18:45,733 --> 00:18:47,233
WORKING ON HER OWN PROJECT, BUT

842
00:18:47,233 --> 00:18:48,500
WE FINALLY GOT THIS COMPLETE,

843
00:18:48,500 --> 00:18:49,467
AND I LOVE HER FOR THAT.

844
00:18:49,467 --> 00:18:50,133
YO.

845
00:18:50,133 --> 00:18:50,933
GIVE ME LOVE. GIVE ME LOVE.

846
00:18:50,933 --> 00:18:51,600
GIVE ME LOVE.

847
00:18:51,600 --> 00:18:52,367
YOU KILLED THAT [bleep].

848
00:18:52,367 --> 00:18:53,900
KIRK AND MY MOM CLEARLY STILL

849
00:18:53,900 --> 00:18:55,900
HAVE ISSUES, BUT ME AND KIRK

850
00:18:55,900 --> 00:18:57,167
HAVE BEEN WORKING ON THINGS.

851
00:18:57,167 --> 00:18:58,367
THE VERSES IS FLOWING OUT.

852
00:18:58,367 --> 00:18:59,200
I FEEL GOOD.

853
00:18:59,200 --> 00:19:00,300
MY LIFE IS GETTING BACK

854
00:19:00,300 --> 00:19:01,067
TOGETHER.

855
00:19:01,067 --> 00:19:03,200
THE GEORGIA PEACH IS BACK, BABY.

856
00:19:03,200 --> 00:19:04,633
DAMN, BITCH, IT'S BEEN A MONTH

857
00:19:04,633 --> 00:19:05,367
BEEN TRYIN' TO DO THIS DAMN

858
00:19:05,367 --> 00:19:06,067
SONG.

859
00:19:06,067 --> 00:19:06,700
RIGHT.

860
00:19:06,700 --> 00:19:07,367
THIS IS RIDICULOUS.

861
00:19:07,367 --> 00:19:08,200
I GUESS IT TOOK ME TO GO THROUGH

862
00:19:08,200 --> 00:19:09,067
SOME [bleep].

863
00:19:09,067 --> 00:19:10,633
I MEAN, GOIN' TO NEW ORLEANS,

864
00:19:10,633 --> 00:19:11,767
THE LAST THING I WAS EXPECTING

865
00:19:11,767 --> 00:19:13,633
WAS KIRK'S ASS TO POP UP.

866
00:19:13,633 --> 00:19:14,300
I MADE HIM WAIT TILL

867
00:19:14,300 --> 00:19:15,200
WE GOT BACK TO THE "A"

868
00:19:15,200 --> 00:19:16,267
BEFORE I GAVE HIM SOME.

869
00:19:16,267 --> 00:19:17,733
IT'S GOOD THAT HE CAME AND HE

870
00:19:17,733 --> 00:19:19,800
SHOWED YOU HOW FAR HE WOULD GO.

871
00:19:19,800 --> 00:19:21,267
SO LET ME TELL Y'ALL THIS.

872
00:19:21,267 --> 00:19:22,533
SO YOU KNOW KIRK AND MY MAMA

873
00:19:22,533 --> 00:19:24,500
DON'T GET ALONG.

874
00:19:24,500 --> 00:19:25,300
RIGHT.

875
00:19:25,300 --> 00:19:26,200
SO WE SIT DOWN TO HAVE

876
00:19:26,200 --> 00:19:27,067
DINNER.

877
00:19:27,067 --> 00:19:28,267
I GET UP TO GO THE BATHROOM.

878
00:19:28,267 --> 00:19:29,100
I COME BACK.

879
00:19:29,100 --> 00:19:30,500
THEY ARGUIN'. I LOOK UP.

880
00:19:30,500 --> 00:19:32,500
KIRK TAKES MY MOM'S GLASSES--

881
00:19:32,500 --> 00:19:33,267
CRACK.

882
00:19:33,267 --> 00:19:34,133
HE CRACKED THEM [bleep] IN TWO.

883
00:19:34,133 --> 00:19:36,533
HE BROKE YOUR MAMA'S GLASSES?

884
00:19:36,533 --> 00:19:38,133
SO THAT HAPPENS.

885
00:19:38,133 --> 00:19:39,133
MY MOM TALKED TO HIM,

886
00:19:39,133 --> 00:19:39,800
SAID TO HIM,

887
00:19:39,800 --> 00:19:40,700
"YOU'VE BEEN PUTTING ME THROUGH

888
00:19:40,700 --> 00:19:41,367
A LOT OF [bleep]."

889
00:19:41,367 --> 00:19:42,200
KIRK'S LIKE, "I'M ALL ABOUT

890
00:19:42,200 --> 00:19:42,867
MY WIFE.

891
00:19:42,867 --> 00:19:43,733
I WANT TO MAKE THINGS RIGHT,"

892
00:19:43,733 --> 00:19:44,400
WHATEVER, WHATEVER.

893
00:19:44,400 --> 00:19:45,233
SHE WAS LIKE, "OKAY, WELL,

894
00:19:45,233 --> 00:19:46,100
GUESS WHAT YOU NEED TO DO.

895
00:19:46,100 --> 00:19:47,067
YOU NEED TO HAVE A

896
00:19:47,067 --> 00:19:50,067
APOLOGY PARTY."

897
00:19:50,067 --> 00:19:50,667
HOLD UP. TIME-OUT.

898
00:19:50,667 --> 00:19:51,533
YOU KNOW HOW PEOPLE BE MAKING

899
00:19:51,533 --> 00:19:52,200
[bleep] UP.

900
00:19:52,200 --> 00:19:53,633
SHE WAS LIKE, "YOU NEED TO

901
00:19:53,633 --> 00:19:56,533
APOLOGIZE, TO ME, THE FAMILY,

902
00:19:56,533 --> 00:19:57,367
FRIENDS,

903
00:19:57,367 --> 00:19:59,367
FOR YOUR DISRESPECTFUL ASS."

904
00:19:59,367 --> 00:20:00,700
I'M GONNA INVITE YOU GUYS.

905
00:20:00,700 --> 00:20:01,433
BRING YOUR BOOZE.

906
00:20:01,433 --> 00:20:02,767
IT TAKES SOMEBODY MAMA

907
00:20:02,767 --> 00:20:03,633
TO THINK ABOUT SOME [bleep]

908
00:20:03,633 --> 00:20:04,433
LIKE THAT, BUT I WAS LIKE,

909
00:20:04,433 --> 00:20:05,133
"YOU KNOW WHAT?

910
00:20:05,133 --> 00:20:05,800
HMM.

911
00:20:05,800 --> 00:20:06,500
WELL, GUESS WHAT.

912
00:20:06,500 --> 00:20:08,567
IF YOU ARE TRYING TO DO WHAT YOU

913
00:20:08,567 --> 00:20:10,433
CLAIM, WHICH IS GET YOUR [bleep]

914
00:20:10,433 --> 00:20:12,033
TOGETHER, THEN GUESS WHAT.

915
00:20:12,033 --> 00:20:12,767
DO THAT [bleep]."

916
00:20:12,767 --> 00:20:13,933
RASHEEDA'S MOTHER IS CRAZY

917
00:20:13,933 --> 00:20:15,233
AS [bleep].

918
00:20:15,233 --> 00:20:16,200
ONLY A MOTHER COULD COME UP WITH

919
00:20:16,200 --> 00:20:17,667
SOMETHING AS CRAZY AS AN APOLOGY

920
00:20:17,667 --> 00:20:19,167
PARTY, BUT I WOULDN'T MISS IT

921
00:20:19,167 --> 00:20:20,033
FOR THE WORLD.

922
00:20:20,033 --> 00:20:21,233
YOU GON' BRING JOC WITH YOU?

923
00:20:21,233 --> 00:20:21,967
JOC AND KIRK NEED TO BE

924
00:20:21,967 --> 00:20:22,967
HOLDING HANDS AT THE APOLOGY

925
00:20:22,967 --> 00:20:23,733
PARTY, NEED TO APOLOGIZE

926
00:20:23,733 --> 00:20:24,467
TOGETHER.

927
00:20:24,467 --> 00:20:25,333
[laughter]

928
00:20:25,333 --> 00:20:26,867
THAT'S CRAZY.

929
00:20:26,867 --> 00:20:28,167
I GUESS--AND MAYBE TONY NEED TO

930
00:20:28,167 --> 00:20:29,600
JOIN 'EM, TRYIN' TO APOLOGIZE

931
00:20:29,600 --> 00:20:30,600
TO THEIR BOO.

932
00:20:30,600 --> 00:20:32,600
OH, [bleep].

933
00:20:32,600 --> 00:20:34,367
WHAT?

934
00:20:34,367 --> 00:20:37,300
WHAT'S WRONG?

935
00:20:37,300 --> 00:20:39,000
WELL, I JUST GOT A TEXT.

936
00:20:39,000 --> 00:20:39,967
LIKE, THEY SAYIN' BENZINO

937
00:20:39,967 --> 00:20:41,000
GOT SHOT.

938
00:20:41,000 --> 00:20:42,167
ARE YOU SERIOUS?

939
00:20:42,167 --> 00:20:43,833
NO, SER--NO, DEAD ASS.

940
00:20:43,833 --> 00:20:44,833
REALLY?

941
00:20:44,833 --> 00:20:45,600
HE'S--ISN'T HE--

942
00:20:45,600 --> 00:20:46,367
HE'S OUT OF TOWN, RIGHT?

943
00:20:46,367 --> 00:20:47,167
WAIT. I'M CHECKIN' MY--

944
00:20:47,167 --> 00:20:48,067
I KNOW. HOLD ON. HOLD ON.

945
00:20:48,067 --> 00:20:48,933
I'M JUST--HOLD UP.

946
00:20:48,933 --> 00:20:50,233
I'M CHECKING MY TWITTER RIGHT

947
00:20:50,233 --> 00:20:51,600
NOW, 'CAUSE IF THIS IS A JOKE--

948
00:20:51,600 --> 00:20:52,267
HOLD ON.

949
00:20:52,267 --> 00:20:54,100
I'LL JUST TEXT KIRK.

950
00:20:54,100 --> 00:20:54,900
YEAH, I'M ASKING VICK

951
00:20:54,900 --> 00:20:55,800
RIGHT NOW IF BENZINO--

952
00:20:55,800 --> 00:20:57,067
OH, MY GOD.

953
00:20:57,067 --> 00:20:58,000
SO I JUST LOOKED.

954
00:20:58,000 --> 00:20:58,833
YEAH, IT'S REAL.

955
00:20:58,833 --> 00:21:00,067
ARE YOU SERIOUS?

956
00:21:00,067 --> 00:21:02,600
I KNEW THAT HIS MOM HAD DIED.

957
00:21:02,600 --> 00:21:04,467
WHAT DOES IT SAY?

958
00:21:04,467 --> 00:21:07,900
"RAPPER BENZINO SHOT

959
00:21:07,900 --> 00:21:10,400
BY FAMILY MEMBER

960
00:21:10,400 --> 00:21:11,567
DURING HIS MOTHER'S FUNERAL."

961
00:21:11,567 --> 00:21:14,133
OH, MY GOD.

962
00:21:14,133 --> 00:21:15,467
OKAY, SO IT'S NOT CRITICAL.

963
00:21:15,467 --> 00:21:16,767
IT'S NOT FATAL.

964
00:21:16,767 --> 00:21:18,167
HE'S OKAY.

965
00:21:18,167 --> 00:21:19,300
ZINO AND I HAVE BEEN THROUGH

966
00:21:19,300 --> 00:21:20,567
OUR UPS AND DOWNS LATELY,

967
00:21:20,567 --> 00:21:21,500
BUT DAMN.

968
00:21:21,500 --> 00:21:22,767
YOU LOSE YOUR MOM.

969
00:21:22,767 --> 00:21:23,767
THEN YOU GET SHOT

970
00:21:23,767 --> 00:21:25,400
WHILE YOU'RE TRYING TO BURY HER.

971
00:21:25,400 --> 00:21:27,333
THAT'S SOME CRAZY-ASS [bleep].

972
00:21:27,333 --> 00:21:28,067
I'M JUST GLAD TO HEAR

973
00:21:28,067 --> 00:21:29,133
HE'S DOING OKAY.

974
00:21:29,133 --> 00:21:30,367
YOU GET SHOT AT YOUR MOTHER'S

975
00:21:30,367 --> 00:21:31,067
FUNERAL?

976
00:21:31,067 --> 00:21:31,733
WHAT THE HELL?

977
00:21:31,733 --> 00:21:33,733
WHAT?

978
00:21:35,200 --> 00:21:38,367
* DON'T MAKE ME WAIT ♪

979
00:21:38,367 --> 00:21:41,167
♪ IN VAIN FOR YOUR LOVE

980
00:21:41,167 --> 00:21:51,500
♪ DON'T MAKE ME WAIT ♪

981
00:21:51,500 --> 00:21:54,900
♪

982
00:21:54,900 --> 00:21:55,900
I HAVEN'T BEEN TO MIMI'S

983
00:21:55,900 --> 00:21:57,200
HOUSE SINCE SHE THREW ME OUT.

984
00:21:57,200 --> 00:21:58,133
SHE MIGHT THROW ME OUT AGAIN

985
00:21:58,133 --> 00:21:59,867
ONCE SHE SEE WHAT I BROUGHT HER.

986
00:21:59,867 --> 00:22:00,600
I AIN'T EVEN GOT NO KEYS

987
00:22:00,600 --> 00:22:01,267
NO MORE.

988
00:22:01,267 --> 00:22:01,967
I GOT TO RING THE BELL NOW.

989
00:22:01,967 --> 00:22:04,967
[doorbell rings]

990
00:22:07,133 --> 00:22:08,767
HELLO.

991
00:22:08,767 --> 00:22:10,067
THIS IS FOR YOU.

992
00:22:10,067 --> 00:22:12,167
OUR TAPE IS BEING RELEASED SOON,

993
00:22:12,167 --> 00:22:12,933
SO I BROUGHT A LITTLE SNEAK

994
00:22:12,933 --> 00:22:14,600
PREVIEW OVER FOR ME AND MIMI

995
00:22:14,600 --> 00:22:15,267
TO WATCH.

996
00:22:15,267 --> 00:22:16,367
I THINK IT'S GREAT STUFF.

997
00:22:16,367 --> 00:22:17,800
I'M COOL WITH IT, BUT I'M NOT

998
00:22:17,800 --> 00:22:19,167
SURE IF MIMI'S GONNA SEE IT

999
00:22:19,167 --> 00:22:20,633
THE SAME WAY.

1000
00:22:20,633 --> 00:22:22,200
I HEARD YOU WENT AND SAW

1001
00:22:22,200 --> 00:22:22,867
ARIANE.

1002
00:22:22,867 --> 00:22:24,933
MY TOLERANCE FOR NIKKO

1003
00:22:24,933 --> 00:22:26,500
IS RUNNING THIN.

1004
00:22:26,500 --> 00:22:27,767
I LET HIM COME OVER BECAUSE

1005
00:22:27,767 --> 00:22:28,900
I HEARD HIM AND ARIANE HAD

1006
00:22:28,900 --> 00:22:30,067
A RUN-IN AT THE GYM,

1007
00:22:30,067 --> 00:22:31,067
AND I WANTED TO KNOW IF NIKKO

1008
00:22:31,067 --> 00:22:31,733
WAS GONNA BE HONEST

1009
00:22:31,733 --> 00:22:33,267
ABOUT THEIR CONVERSATION.

1010
00:22:33,267 --> 00:22:34,400
SHE MAGICALLY POPPED UP

1011
00:22:34,400 --> 00:22:35,733
IN MY GYM WHERE I WAS TRAINING.

1012
00:22:35,733 --> 00:22:36,467
AND?

1013
00:22:36,467 --> 00:22:37,467
AND SHE'S COMING ASKING ME

1014
00:22:37,467 --> 00:22:39,367
ALL THESE RIDICULOUS QUESTIONS.

1015
00:22:39,367 --> 00:22:40,333
SHE'S TELLING ME ABOUT THE TAPE.

1016
00:22:40,333 --> 00:22:41,233
"WHY DID YOU DO THIS?"

1017
00:22:41,233 --> 00:22:41,933
SHE BROUGHT THE TAPE UP

1018
00:22:41,933 --> 00:22:42,633
TO YOU?

1019
00:22:42,633 --> 00:22:43,300
ABSOLUTELY.

1020
00:22:43,300 --> 00:22:44,267
SO I TOLD HER SHE SHOULD WATCH

1021
00:22:44,267 --> 00:22:44,967
THE TAPE.

1022
00:22:44,967 --> 00:22:46,500
SHE MIGHT LEARN SOMETHIN'.

1023
00:22:46,500 --> 00:22:47,167
I WAS IN THE MIDDLE OF

1024
00:22:47,167 --> 00:22:47,833
A TRAINING SESSION.

1025
00:22:47,833 --> 00:22:49,267
YOU KNOW MY WHOLE THING IS

1026
00:22:49,267 --> 00:22:50,300
MUSIC, SEX, FITNESS, SO

1027
00:22:50,300 --> 00:22:51,167
THAT'S WHAT I WAS DOIN'.

1028
00:22:51,167 --> 00:22:53,067
SHE INTERRUPTED MY SITUATION.

1029
00:22:53,067 --> 00:22:54,433
SO, MIMI, I GOT THE PREVIEW OF

1030
00:22:54,433 --> 00:22:56,500
THE TAPE THAT WE GOT TO REVIEW

1031
00:22:56,500 --> 00:22:58,133
BEFORE IT GOES OUT TO MARKETING.

1032
00:22:58,133 --> 00:22:59,100
HAVE YOU SEEN IT?

1033
00:22:59,100 --> 00:23:00,067
I'VE SEEN IT FIVE TIMES.

1034
00:23:00,067 --> 00:23:00,800
IT'S PRETTY DOPE.

1035
00:23:00,800 --> 00:23:01,700
I LIKE IT.

1036
00:23:01,700 --> 00:23:02,467
I THINK YOU'RE GONNA LIKE IT

1037
00:23:02,467 --> 00:23:03,133
TOO.

1038
00:23:03,133 --> 00:23:04,633
I KNEW THIS DAY WAS COMING.

1039
00:23:04,633 --> 00:23:05,700
THAT DOESN'T MEAN I WAS READY

1040
00:23:05,700 --> 00:23:06,567
FOR IT.

1041
00:23:06,567 --> 00:23:08,267
HONESTLY, I HAVE NO DESIRE

1042
00:23:08,267 --> 00:23:09,667
TO WATCH THIS TAPE,

1043
00:23:09,667 --> 00:23:11,533
BUT KNOW I NEED TO WATCH

1044
00:23:11,533 --> 00:23:12,500
TO SEE MYSELF BEFORE

1045
00:23:12,500 --> 00:23:14,100
THE WORLD SEES ME.

1046
00:23:14,100 --> 00:23:14,933
WHY YOU SO UPTIGHT?

1047
00:23:14,933 --> 00:23:15,600
WHAT'S WRONG?

1048
00:23:15,600 --> 00:23:16,333
WHAT'S WRONG IS THAT THE

1049
00:23:16,333 --> 00:23:18,867
WORLD IS ABOUT TO SEE US

1050
00:23:18,867 --> 00:23:21,767
IN OUR MOST COMPLETE EVERYTHING.

1051
00:23:21,767 --> 00:23:22,433
RIGHT.

1052
00:23:22,433 --> 00:23:23,567
THAT BOTHERS ME.

1053
00:23:23,567 --> 00:23:24,833
I'M MORE OF AN--

1054
00:23:24,833 --> 00:23:25,900
ON A OPTIMISTIC SIDE.

1055
00:23:25,900 --> 00:23:26,567
THAT'S GREAT.

1056
00:23:26,567 --> 00:23:27,500
BECAUSE BEING PESSIMISTIC

1057
00:23:27,500 --> 00:23:28,767
IS NOT GON' GET US ANYWHERE.

1058
00:23:28,767 --> 00:23:30,200
WE ALSO MADE A DECISION

1059
00:23:30,200 --> 00:23:31,633
TO DO THIS LEGALLY.

1060
00:23:31,633 --> 00:23:32,567
I MEAN, WE DID THIS TOGETHER.

1061
00:23:32,567 --> 00:23:33,700
THIS IS--IT'S A TATTOO

1062
00:23:33,700 --> 00:23:35,367
YOU CAN'T ERASE.

1063
00:23:35,367 --> 00:23:37,767
LET'S WATCH IT.

1064
00:23:37,767 --> 00:23:38,433
CAN YOU COME CLOSER?

1065
00:23:38,433 --> 00:23:39,100
WE CAN WATCH TOGETHER.

1066
00:23:39,100 --> 00:23:40,533
I DON'T WANT YOU TO HOOK OFF

1067
00:23:40,533 --> 00:23:41,400
ON ME, SO I GOT TO KEEP YOU

1068
00:23:41,400 --> 00:23:42,667
CLOSE TO ME.

1069
00:23:42,667 --> 00:23:43,600
I DON'T WANT YOU TO SNUFF ME

1070
00:23:43,600 --> 00:23:44,300
OR SOMETHING.

1071
00:23:44,300 --> 00:23:45,400
I FEEL LIKE WE'RE IN THE MOVIES.

1072
00:23:45,400 --> 00:23:47,400
WHERE'S THE POPCORN?

1073
00:23:53,233 --> 00:23:55,233
OH, MY GOD.

1074
00:24:09,667 --> 00:24:11,200
AS I'M WATCHING MYSELF,

1075
00:24:11,200 --> 00:24:12,833
I'M FEELING SOME TYPE OF WAY

1076
00:24:12,833 --> 00:24:14,233
ABOUT THE WHOLE WORLD

1077
00:24:14,233 --> 00:24:15,767
WATCHING THIS TAPE

1078
00:24:15,767 --> 00:24:17,467
AND CALLING ME A PORN STAR,

1079
00:24:17,467 --> 00:24:19,133
AND IT'S REALLY [bleep] WITH ME.

1080
00:24:19,133 --> 00:24:20,267
WHAT ARE YOU THINKING?

1081
00:24:20,267 --> 00:24:22,967
[whispering] I HAVE NO WORDS.

1082
00:24:22,967 --> 00:24:23,667
I'M HAPPY ABOUT THIS.

1083
00:24:23,667 --> 00:24:24,433
YOU'RE NOT HAPPY WITH THIS?

1084
00:24:24,433 --> 00:24:25,100
CLEARLY YOU'RE HAPPY

1085
00:24:25,100 --> 00:24:25,767
ABOUT IT.

1086
00:24:25,767 --> 00:24:26,467
YOU'RE NOT HAPPY ABOUT

1087
00:24:26,467 --> 00:24:27,133
WHAT WE DONE?

1088
00:24:27,133 --> 00:24:29,067
I UNDERSTAND YOU GOT A DAUGHTER,

1089
00:24:29,067 --> 00:24:30,233
BUT I ALSO UNDERSTAND YOU'RE

1090
00:24:30,233 --> 00:24:30,900
A GREAT MOM, AND

1091
00:24:30,900 --> 00:24:31,733
YOU'RE GONNA KNOW HOW TO DEAL

1092
00:24:31,733 --> 00:24:35,067
WITH THAT WHEN THAT TIME COMES.

1093
00:24:35,067 --> 00:24:35,900
YOU GOT IT ALL FIGURED OUT,

1094
00:24:35,900 --> 00:24:36,967
DON'T YOU?

1095
00:24:36,967 --> 00:24:39,133
NIKKO MAY NEVER UNDERSTAND

1096
00:24:39,133 --> 00:24:40,400
HOW I FEEL BECAUSE GUESS WHAT.

1097
00:24:40,400 --> 00:24:41,833
HE DOESN'T HAVE A CHILD.

1098
00:24:41,833 --> 00:24:43,500
THIS WHOLE THING IS A LOT HARDER

1099
00:24:43,500 --> 00:24:44,767
FOR ME BECAUSE I HAVE A LITTLE

1100
00:24:44,767 --> 00:24:46,433
GIRL THAT COULD SERIOUSLY

1101
00:24:46,433 --> 00:24:48,367
BE AFFECTED BY MY ACTIONS.

1102
00:24:48,367 --> 00:24:49,467
THIS IS COMING OUT.

1103
00:24:49,467 --> 00:24:50,333
I'M HERE EVERY STEP OF THE WAY,

1104
00:24:50,333 --> 00:24:51,067
WHATEVER YOU NEED

1105
00:24:51,067 --> 00:24:52,067
TO TALK TO ME ABOUT.

1106
00:24:52,067 --> 00:24:54,667
SO WE IN IT TOGETHER.

1107
00:25:00,600 --> 00:25:02,567
IF YOU REALLY LOVE BAM,

1108
00:25:02,567 --> 00:25:03,667
YOU REALLY WANT TO GET BACK

1109
00:25:03,667 --> 00:25:04,600
WITH BAM,

1110
00:25:04,600 --> 00:25:05,567
YOU GOT TO SHUT THAT

1111
00:25:05,567 --> 00:25:06,867
ERICA PINKETT DOWN.

1112
00:25:06,867 --> 00:25:08,367
THERE'S NOTHING TO SHUT DOWN.

1113
00:25:08,367 --> 00:25:10,367
THERE'S NOTHING.

1114
00:25:21,267 --> 00:25:21,933
BABY, I'VE BEEN

1115
00:25:21,933 --> 00:25:22,600
SOUL-SEARCHING.

1116
00:25:22,600 --> 00:25:24,967
[laughing]

1117
00:25:24,967 --> 00:25:26,267
STOP PLAYING, STUPID.

1118
00:25:26,267 --> 00:25:27,067
I'VE BEEN THINKING ABOUT

1119
00:25:27,067 --> 00:25:28,533
A LOT OF THINGS.

1120
00:25:28,533 --> 00:25:29,533
START SINGING.

1121
00:25:29,533 --> 00:25:30,400
♪ TAKE IT OFF

1122
00:25:30,400 --> 00:25:31,733
♪ OOH, OOH

1123
00:25:31,733 --> 00:25:34,067
OH, STOP [bleep], GIRL.

1124
00:25:34,067 --> 00:25:35,633
IT'S BEEN REALLY TOUGH LATELY

1125
00:25:35,633 --> 00:25:36,867
DEALING WITH THE PASSING

1126
00:25:36,867 --> 00:25:38,233
OF KAYO.

1127
00:25:38,233 --> 00:25:39,633
WHEN WAKA'S HURTING, THE AVERAGE

1128
00:25:39,633 --> 00:25:40,867
PERSON WOULD NEVER KNOW.

1129
00:25:40,867 --> 00:25:42,067
HE JOKES.

1130
00:25:42,067 --> 00:25:44,067
HE THROW HISSELF INTO HIS WORK.

1131
00:25:44,067 --> 00:25:45,200
HE ACT LIKE NOTHING EVER

1132
00:25:45,200 --> 00:25:46,133
HAPPENED.

1133
00:25:46,133 --> 00:25:47,633
I THREW MYSELF INTO MY WORK.

1134
00:25:47,633 --> 00:25:49,300
THAT'S HOW I'M DEALING WITH IT.

1135
00:25:49,300 --> 00:25:51,233
BUT I KNOW, REGARDLESS,

1136
00:25:51,233 --> 00:25:52,433
IT'S SOMETHING THAT

1137
00:25:52,433 --> 00:25:53,767
WILL NEVER GO AWAY.

1138
00:25:53,767 --> 00:25:54,867
SO I JUST WANT TO HAVE DINNER

1139
00:25:54,867 --> 00:25:57,700
AND JUST SIT DOWN WITH MY MAN

1140
00:25:57,700 --> 00:26:00,733
AND JUST GET AWAY FROM THE WORLD

1141
00:26:00,733 --> 00:26:01,767
FOR A SECOND, JUST IN OUR OWN

1142
00:26:01,767 --> 00:26:02,567
LITTLE WORLD.

1143
00:26:02,567 --> 00:26:03,767
YOU HAPPY TO BE HOME, BABY?

1144
00:26:03,767 --> 00:26:05,200
I AM, MAN.

1145
00:26:05,200 --> 00:26:06,667
YOU KNOW I LOVE TRAVELING.

1146
00:26:06,667 --> 00:26:07,367
I GUESS YOU AIN'T SEEN

1147
00:26:07,367 --> 00:26:08,733
NOTHING LIKE HOME, HUH?

1148
00:26:08,733 --> 00:26:10,133
ACTUALLY, I DIDN'T.

1149
00:26:10,133 --> 00:26:11,067
DON'T PLAY ME. I WILL--OH.

1150
00:26:11,067 --> 00:26:11,667
I SEEN A COUPLE NAKED

1151
00:26:11,667 --> 00:26:12,900
WRITHING GIRLS.

1152
00:26:12,900 --> 00:26:14,633
YEAH, WHATEVER.

1153
00:26:14,633 --> 00:26:15,833
[sighs]

1154
00:26:15,833 --> 00:26:17,400
NO, SERIOUSLY, THOUGH.

1155
00:26:17,400 --> 00:26:19,067
I REALLY BEEN THINKIN', THOUGH.

1156
00:26:19,067 --> 00:26:21,100
I DON'T WANT NO WEDDING.

1157
00:26:21,100 --> 00:26:22,133
WHAT?

1158
00:26:22,133 --> 00:26:22,833
I WANT TO GO STRAIGHT TO

1159
00:26:22,833 --> 00:26:25,067
THE COURTHOUSE, GET MARRIED.

1160
00:26:25,067 --> 00:26:26,267
TAMMY AND MY MOTHER TALKED

1161
00:26:26,267 --> 00:26:27,433
ABOUT A BIG WEDDING.

1162
00:26:27,433 --> 00:26:28,133
I AIN'T TALK ABOUT NO BIG

1163
00:26:28,133 --> 00:26:28,800
WEDDING.

1164
00:26:28,800 --> 00:26:30,333
TO ME, THAT'S GIMMICKS.

1165
00:26:30,333 --> 00:26:31,433
I'M NOT INTO GIMMICKS.

1166
00:26:31,433 --> 00:26:32,533
I'M INTO FACTS.

1167
00:26:32,533 --> 00:26:33,367
I'M NOT GONNA PAY A WHOLE BUNCH

1168
00:26:33,367 --> 00:26:34,300
OF MONEY TO GET IN A ROOM

1169
00:26:34,300 --> 00:26:35,433
SO PEOPLE CAN SEE US KISS.

1170
00:26:35,433 --> 00:26:36,567
FOR WHAT?

1171
00:26:36,567 --> 00:26:37,800
I JUST WANT MY FAMILY.

1172
00:26:37,800 --> 00:26:38,967
I WANT MY FAMILY.

1173
00:26:38,967 --> 00:26:40,233
I LOVE COMING HOME

1174
00:26:40,233 --> 00:26:42,067
TO A HOUSE THAT SMELL GOOD.

1175
00:26:42,067 --> 00:26:42,900
THAT'S SOMETHIN' I NEVER HAD

1176
00:26:42,900 --> 00:26:43,800
IN LIFE.

1177
00:26:43,800 --> 00:26:44,833
SO NOW IT'S JUST WHEN IT'S

1178
00:26:44,833 --> 00:26:45,500
CONVENIENT FOR YOU--

1179
00:26:45,500 --> 00:26:46,233
READY TO GETTING MARRIED.

1180
00:26:46,233 --> 00:26:46,900
IT'S NOT ABOUT BEING

1181
00:26:46,900 --> 00:26:47,567
CONVENIENT.

1182
00:26:47,567 --> 00:26:48,733
IT'S NOT ABOUT ARGUING.

1183
00:26:48,733 --> 00:26:50,233
I'M TELLING YOU I'M READY.

1184
00:26:50,233 --> 00:26:51,367
I DON'T KNOW IF IT'S BECAUSE

1185
00:26:51,367 --> 00:26:53,067
OF WHAT OUR FAMILY'S GOING

1186
00:26:53,067 --> 00:26:55,300
THROUGH THAT HAS MADE HIM STOP

1187
00:26:55,300 --> 00:26:56,233
AND THINK ABOUT WHAT'S

1188
00:26:56,233 --> 00:26:57,100
IMPORTANT.

1189
00:26:57,100 --> 00:26:58,300
HELL, I DONE BEEN THROUGH--

1190
00:26:58,300 --> 00:26:59,400
WE DONE BEEN THROUGH SO MUCH.

1191
00:26:59,400 --> 00:27:00,800
LET'S JUST GET MARRIED.

1192
00:27:00,800 --> 00:27:02,267
BUT I DON'T WANT TO MAKE THE

1193
00:27:02,267 --> 00:27:03,800
WRONG DECISION IN THE LONG RUN

1194
00:27:03,800 --> 00:27:06,567
BY NOT HAVING OUR FAMILY THERE.

1195
00:27:06,567 --> 00:27:08,967
MAYBE WE SHOULD THINK ABOUT IT.

1196
00:27:08,967 --> 00:27:09,967
WHO, YOU?

1197
00:27:09,967 --> 00:27:11,067
YOU CAN THINK ABOUT IT.

1198
00:27:11,067 --> 00:27:12,200
YOU GOT A LOT OF TIME

1199
00:27:12,200 --> 00:27:12,867
TO THINK ABOUT IT.

1200
00:27:12,867 --> 00:27:13,600
YEAH.

1201
00:27:13,600 --> 00:27:14,767
YOU GOT A LOT OF TIME

1202
00:27:14,767 --> 00:27:16,300
TO THINK ABOUT IT, THOUGH.

1203
00:27:16,300 --> 00:27:18,100
SO YOU THOUGHT ABOUT IT?

1204
00:27:18,100 --> 00:27:19,500
NO, I'M NOT GONNA JUST THINK

1205
00:27:19,500 --> 00:27:20,600
ABOUT IT THAT FAST.

1206
00:27:20,600 --> 00:27:21,433
I JUST GAVE YOU A COUPLE

1207
00:27:21,433 --> 00:27:23,433
OF SECONDS.

1208
00:27:29,200 --> 00:27:30,200
MAN, I'MA TELL YOU THE FUNNY

1209
00:27:30,200 --> 00:27:31,467
THING ABOUT SCRAP, THOUGH.

1210
00:27:31,467 --> 00:27:33,067
WHEN HE DEAL WITH HIS WOMEN,

1211
00:27:33,067 --> 00:27:34,533
THEY ALL HAVE A NAME, BOY.

1212
00:27:34,533 --> 00:27:36,133
GOIN' THROUGH IT WITH THE BAMBI.

1213
00:27:36,133 --> 00:27:37,267
THE BAMBI.

1214
00:27:37,267 --> 00:27:37,933
YO.

1215
00:27:37,933 --> 00:27:39,133
[laughing]

1216
00:27:39,133 --> 00:27:40,467
SO ME AND JOC ABOUT TO MEET UP

1217
00:27:40,467 --> 00:27:41,600
WITH MY BOY SCRAPPY.

1218
00:27:41,600 --> 00:27:42,700
HE SAID HE WAS HAVING SOME

1219
00:27:42,700 --> 00:27:44,067
PROBLEMS JUGGLING ALL THESE

1220
00:27:44,067 --> 00:27:45,200
WOMEN IN HIS LIFE.

1221
00:27:45,200 --> 00:27:46,633
SO WE 'BOUT TO WHIP SOME SENSE

1222
00:27:46,633 --> 00:27:48,667
INTO HIS CRAZY ASS.

1223
00:27:48,667 --> 00:27:49,433
I'MA TELL YOU WHAT CRAZY,

1224
00:27:49,433 --> 00:27:50,200
THOUGH, MAN.

1225
00:27:50,200 --> 00:27:51,967
I WAS IN MY OLD SCHOOL

1226
00:27:51,967 --> 00:27:53,467
WHEN I HEARD THE LITTLE NEWS

1227
00:27:53,467 --> 00:27:55,733
ABOUT THE BENZ.

1228
00:27:55,733 --> 00:27:56,400
OH, ZINO?

1229
00:27:56,400 --> 00:27:57,067
YEAH.

1230
00:27:57,067 --> 00:27:57,733
CRAZY.

1231
00:27:57,733 --> 00:27:58,400
WHAT WAS UP WITH THAT?

1232
00:27:58,400 --> 00:27:59,300
YOU AIN'T HEARD NOTHIN' ON THAT?

1233
00:27:59,300 --> 00:28:00,300
YOU KNOW, JUST TALKIN' TO Z,

1234
00:28:00,300 --> 00:28:01,333
HE A'IGHT, JUST TRYIN' TO

1235
00:28:01,333 --> 00:28:02,067
RECOVER.

1236
00:28:02,067 --> 00:28:02,767
CRAZY, THOUGH?

1237
00:28:02,767 --> 00:28:03,667
THAT JUST MADE ME FEEL

1238
00:28:03,667 --> 00:28:05,533
A WHOLE NOTHER TYPE OF WAY.

1239
00:28:05,533 --> 00:28:07,333
CRAZY, BOY, WITH THE TIMING.

1240
00:28:07,333 --> 00:28:08,133
THE TIMING.

1241
00:28:08,133 --> 00:28:09,067
YOUR MOM'S FUNERAL.

1242
00:28:09,067 --> 00:28:09,700
MOM'S FUNERAL.

1243
00:28:09,700 --> 00:28:10,367
BUT I WAS LIKE--MAN,

1244
00:28:10,367 --> 00:28:11,233
I WAS PRAYING FOR HIM.

1245
00:28:11,233 --> 00:28:12,067
I LET HIM KNOW, "I'M PRAYING

1246
00:28:12,067 --> 00:28:12,867
FOR YOU."

1247
00:28:12,867 --> 00:28:13,600
WORD.

1248
00:28:13,600 --> 00:28:15,433
WHAT HAPPENED TO MY BOY ZINO

1249
00:28:15,433 --> 00:28:16,933
REALLY SHOWED ME THAT LIFE

1250
00:28:16,933 --> 00:28:18,700
IS PRECIOUS, AND YOU GOT TO MAKE

1251
00:28:18,700 --> 00:28:20,233
THE MOST OF EVERY MINUTE

1252
00:28:20,233 --> 00:28:21,433
IN EVERY DAY.

1253
00:28:21,433 --> 00:28:22,367
FELLAS, FELLAS.

1254
00:28:22,367 --> 00:28:23,567
'EY, 'EY, 'EY.

1255
00:28:23,567 --> 00:28:25,167
WHAT UP, BOY?

1256
00:28:25,167 --> 00:28:25,833
YOU GOOD?

1257
00:28:25,833 --> 00:28:26,833
SURE IS NOW.

1258
00:28:26,833 --> 00:28:27,500
I NEED TO GET UP OUT THE

1259
00:28:27,500 --> 00:28:28,167
HOUSE, MAN.

1260
00:28:28,167 --> 00:28:29,833
I'M GOING THROUGH A LITTLE WOMAN

1261
00:28:29,833 --> 00:28:30,800
TROUBLE RIGHT NOW.

1262
00:28:30,800 --> 00:28:32,467
SO I HIT UP JOC,

1263
00:28:32,467 --> 00:28:33,800
HIT UP BIG DAWG KIRK.

1264
00:28:33,800 --> 00:28:35,133
WE ALL NEED TO GET OUT, MAN.

1265
00:28:35,133 --> 00:28:35,800
YOU DIG?

1266
00:28:35,800 --> 00:28:37,167
I NEED A GRAND MARNIER.

1267
00:28:37,167 --> 00:28:38,733
I NEED SOMETHIN' REAL HARD

1268
00:28:38,733 --> 00:28:39,400
AND EARLY.

1269
00:28:39,400 --> 00:28:40,533
WHERE DID YOU COME FROM?

1270
00:28:40,533 --> 00:28:41,333
LISTEN, I'M COMIN' FROM

1271
00:28:41,333 --> 00:28:42,233
THE HOUSE, MAN.

1272
00:28:42,233 --> 00:28:43,067
YOU KNOW WHAT I'M SAYIN'?

1273
00:28:43,067 --> 00:28:43,800
WE GOIN' THROUGH IT.

1274
00:28:43,800 --> 00:28:45,067
YOU ALWAYS GOIN' THROUGH IT.

1275
00:28:45,067 --> 00:28:46,633
I KNOW, BUT NORMALLY, YOU GET

1276
00:28:46,633 --> 00:28:48,300
INTO IT WITH YOUR CHICK FOR,

1277
00:28:48,300 --> 00:28:49,200
YOU KNOW WHAT I'M SAYIN',

1278
00:28:49,200 --> 00:28:50,600
ACTUALLY [bleep] A BITCH.

1279
00:28:50,600 --> 00:28:51,267
OKAY.

1280
00:28:51,267 --> 00:28:52,933
I AIN'T EVEN PINCH THE BITCH.

1281
00:28:52,933 --> 00:28:53,733
WHAT'S THE STATUS WITH YOU

1282
00:28:53,733 --> 00:28:54,400
AND SHAWTY?

1283
00:28:54,400 --> 00:28:55,067
ME AND BAM?

1284
00:28:55,067 --> 00:28:55,733
YEAH.

1285
00:28:55,733 --> 00:28:57,433
[bleep] CRAZY, MAN.

1286
00:28:57,433 --> 00:28:58,600
I GO OUT OF TOWN, AND ALL HELL

1287
00:28:58,600 --> 00:28:59,367
BREAK LOOSE.

1288
00:28:59,367 --> 00:29:03,233
MY MAMA TRY TO ASSIST.

1289
00:29:03,233 --> 00:29:04,500
MY MAMA TRY TO REFEREE

1290
00:29:04,500 --> 00:29:05,900
THE WHOLE SITUATION.

1291
00:29:05,900 --> 00:29:07,767
SCRAP, SERIOUSLY, YOU GOT TO

1292
00:29:07,767 --> 00:29:09,800
KEEP MOMMA DEE OUT YO' BUSINESS.

1293
00:29:09,800 --> 00:29:10,467
I TRY TO.

1294
00:29:10,467 --> 00:29:11,367
WHATEVER YOU WANT--NO.

1295
00:29:11,367 --> 00:29:12,300
NO, AIN'T NO MORE TRYIN'.

1296
00:29:12,300 --> 00:29:13,967
SHE NOT GOIN' NO WIZZ-NAH-EE.

1297
00:29:13,967 --> 00:29:14,633
SCRAP, YOU KNOW WHAT?

1298
00:29:14,633 --> 00:29:15,667
THE MAMA [bleep] IS GOIN' ON

1299
00:29:15,667 --> 00:29:16,700
IN MY LIFE TOO.

1300
00:29:16,700 --> 00:29:17,400
AND IT'S THAT SAME LADY

1301
00:29:17,400 --> 00:29:18,800
THAT RAN OVER YOUR BIKE.

1302
00:29:18,800 --> 00:29:19,833
BUT SEE, SHE THOUGHT I WAS

1303
00:29:19,833 --> 00:29:21,267
[bleep] WITH THESE GIRLS,

1304
00:29:21,267 --> 00:29:22,067
AND HER THING IS,

1305
00:29:22,067 --> 00:29:23,467
"YOU EMBARRASSED MY DAUGHTER.

1306
00:29:23,467 --> 00:29:24,467
YOU NEED TO HAVE A APOLOGY

1307
00:29:24,467 --> 00:29:25,667
PARTY.

1308
00:29:25,667 --> 00:29:26,333
YOU NEED TO LET HER"--

1309
00:29:26,333 --> 00:29:28,433
APOLOGY PARTY?

1310
00:29:28,433 --> 00:29:29,333
WHAT THE HELL IS A APOLOGY

1311
00:29:29,333 --> 00:29:30,067
PARTY?

1312
00:29:30,067 --> 00:29:31,733
IT'S A LAME WAY TO EXPLAIN,

1313
00:29:31,733 --> 00:29:33,100
"I'M SORRY, BABY,

1314
00:29:33,100 --> 00:29:34,133
FOR HURTING YOU."

1315
00:29:34,133 --> 00:29:34,900
ARE YOU GON' REALLY DO IT,

1316
00:29:34,900 --> 00:29:35,567
THOUGH, LIKE--

1317
00:29:35,567 --> 00:29:36,667
OF COURSE, 'CAUSE I'M JUST

1318
00:29:36,667 --> 00:29:38,267
TRYIN' TO DO STUFF TO SAY,

1319
00:29:38,267 --> 00:29:40,167
"LISTEN, I HEAR YOU."

1320
00:29:40,167 --> 00:29:41,900
I'M FIXIN' MY [bleep].

1321
00:29:41,900 --> 00:29:43,267
AND THAT MEAN YOU NEED TO GO

1322
00:29:43,267 --> 00:29:44,800
AND GET RUBEN STUDDARD

1323
00:29:44,800 --> 00:29:46,067
SINGIN' THAT [bleep].

1324
00:29:46,067 --> 00:29:46,733
[laughing]

1325
00:29:46,733 --> 00:29:47,667
I SORRY.

1326
00:29:47,667 --> 00:29:48,633
YOU KNOW, I'M TRYIN' TO BE ON

1327
00:29:48,633 --> 00:29:49,900
THE RIGHT PATH, BUT RASHEEDA

1328
00:29:49,900 --> 00:29:51,733
MAMA STILL ACTIN' LIKE

1329
00:29:51,733 --> 00:29:52,867
TOILET BOWL.

1330
00:29:52,867 --> 00:29:54,500
I KNOW I AIN'T GOT NO WIFE OR

1331
00:29:54,500 --> 00:29:55,867
NOTHIN' LIKE THAT, BUT THE WAY

1332
00:29:55,867 --> 00:29:57,967
I MISS BAM, I'M--I THINK I MIGHT

1333
00:29:57,967 --> 00:29:59,067
NEED TO DO SOMETHIN'

1334
00:29:59,067 --> 00:30:00,733
IN THAT AREA.

1335
00:30:00,733 --> 00:30:02,433
LIKE, BAM COME HOME.

1336
00:30:02,433 --> 00:30:03,833
SCRAP LAID IN THE BATHTUB FULL

1337
00:30:03,833 --> 00:30:05,567
OF CRAB LEG WITH A LITTLE BOWL

1338
00:30:05,567 --> 00:30:07,033
OF BUTTER.

1339
00:30:07,033 --> 00:30:09,167
"BABY, I APOLOGIZE."

1340
00:30:09,167 --> 00:30:09,967
STEAMED UP.

1341
00:30:09,967 --> 00:30:11,667
WITH THE SHOWER STEAMIN'.

1342
00:30:11,667 --> 00:30:12,400
WITH SOME CAJUN FLAVOR.

1343
00:30:12,400 --> 00:30:14,400
FEET HANGIN' OUT THE BATHTUB.

1344
00:30:14,400 --> 00:30:15,200
"DIP SOMETHIN'

1345
00:30:15,200 --> 00:30:17,267
IF YOU LOVE ME."

1346
00:30:17,267 --> 00:30:18,033
I DON'T KNOW ABOUT NONE OF

1347
00:30:18,033 --> 00:30:19,900
THAT APOLOGY PARTY TYPE STUFF,

1348
00:30:19,900 --> 00:30:20,700
BUT I THINK I CAN COOK

1349
00:30:20,700 --> 00:30:22,167
SOMETHIN' UP REAL NICE FOR BAM

1350
00:30:22,167 --> 00:30:24,300
SO WE CAN PATCH THINGS UP.

1351
00:30:24,300 --> 00:30:25,267
MAN, I REALLY GOT TO DO

1352
00:30:25,267 --> 00:30:26,467
SOMETHIN' SPECIAL FOR THE BAM,

1353
00:30:26,467 --> 00:30:27,433
YOU KNOW WHAT I'M TALKIN' ABOUT?

1354
00:30:27,433 --> 00:30:29,200
'CAUSE RIGHT NOW, I DON'T REALLY

1355
00:30:29,200 --> 00:30:30,000
THINK SHE FEELIN' ME

1356
00:30:30,000 --> 00:30:31,167
AND MA DUKES.

1357
00:30:31,167 --> 00:30:32,133
YOU GOT BAM

1358
00:30:32,133 --> 00:30:33,233
AND ERICA PINKETT.

1359
00:30:33,233 --> 00:30:34,167
NO, I GOT BAM 'CAUSE--

1360
00:30:34,167 --> 00:30:36,300
OKAY, BUT BAM FEELS LIKE YOU

1361
00:30:36,300 --> 00:30:37,767
GOT TWO OF THEM, AND YOU NEED

1362
00:30:37,767 --> 00:30:38,667
TO FIX THAT.

1363
00:30:38,667 --> 00:30:40,333
IF YOU REALLY LOVE BAM,

1364
00:30:40,333 --> 00:30:41,700
YOU REALLY WANT TO GET BACK WITH

1365
00:30:41,700 --> 00:30:43,333
BAM, YOU GOT TO SHUT THAT

1366
00:30:43,333 --> 00:30:44,733
ERICA PINKETT DOWN.

1367
00:30:44,733 --> 00:30:46,300
THERE'S NOTHIN' TO SHUT DOWN.

1368
00:30:46,300 --> 00:30:47,033
THERE'S NOTHIN'.

1369
00:30:47,033 --> 00:30:47,700
MM-HMM.

1370
00:30:47,700 --> 00:30:49,200
IT'S REALLY PLATONIC,

1371
00:30:49,200 --> 00:30:50,600
'CAUSE ALL WE DO IS TEXT.

1372
00:30:50,600 --> 00:30:51,700
IT'S NOTHIN'.

1373
00:30:51,700 --> 00:30:52,867
SPELL IT.

1374
00:30:52,867 --> 00:30:54,100
SPELL WHAT?

1375
00:30:54,100 --> 00:30:56,033
"PLATONIC."

1376
00:30:56,033 --> 00:30:56,700
P-L...

1377
00:30:56,700 --> 00:30:57,733
STOP IT.

1378
00:30:57,733 --> 00:31:00,067
TONIC.

1379
00:31:00,067 --> 00:31:00,667
I'VE KNOWN SCRAPPY

1380
00:31:00,667 --> 00:31:01,933
FOR A VERY LONG TIME.

1381
00:31:01,933 --> 00:31:03,467
LIKE, BROTHER JUST REALLY

1382
00:31:03,467 --> 00:31:04,767
IS THE WORST WHEN IT

1383
00:31:04,767 --> 00:31:05,933
COMES TO RELATIONSHIPS.

1384
00:31:05,933 --> 00:31:06,800
I KNOW HE'S JUST MISSIN'

1385
00:31:06,800 --> 00:31:07,500
THE SEX.

1386
00:31:07,500 --> 00:31:09,467
HONESTLY, THERE'S NO CONVINCIN'

1387
00:31:09,467 --> 00:31:10,567
SCRAPPY OF ANYTHING.

1388
00:31:10,567 --> 00:31:12,867
LIKE, IT'S NOT HAPPENIN'.

1389
00:31:12,867 --> 00:31:13,567
IT IS REALLY PLATONIC,

1390
00:31:13,567 --> 00:31:14,467
THOUGH, FOR REAL.

1391
00:31:14,467 --> 00:31:15,933
IS BAM YOUR HEART?

1392
00:31:15,933 --> 00:31:17,233
YEAH, SHE'S SO--

1393
00:31:17,233 --> 00:31:18,100
SHE IN MY HEART.

1394
00:31:18,100 --> 00:31:19,400
THAT LITTLE COOL STUFF,

1395
00:31:19,400 --> 00:31:21,800
SHUT THAT COOL STUFF DOWN.

1396
00:31:21,800 --> 00:31:22,767
BAM IS A REAL BITCH.

1397
00:31:22,767 --> 00:31:23,667
MY BIZZ-NAH-EE, RIGHT.

1398
00:31:23,667 --> 00:31:24,967
I GOT TO GO GET MY BIZZ-NAH-EE

1399
00:31:24,967 --> 00:31:25,867
BACK, BRO.

1400
00:31:25,867 --> 00:31:26,867
I AIN'T GON' EVEN LIE.

1401
00:31:26,867 --> 00:31:28,200
KIRK, YOU JUST MADE ME THINK

1402
00:31:28,200 --> 00:31:29,400
ABOUT HER EXTRA.

1403
00:31:29,400 --> 00:31:32,267
YOU FEEL ME?

1404
00:31:32,267 --> 00:31:33,967
LITTLE TEAR IN YOUR EYE.

1405
00:31:33,967 --> 00:31:34,967
[laughs]

1406
00:31:34,967 --> 00:31:36,967
A LITTLE TEAR.

1407
00:31:38,600 --> 00:31:39,600
SLEAZE, WE AIN'T NEVER GONNA

1408
00:31:39,600 --> 00:31:40,800
TALK ABOUT IT AGAIN.

1409
00:31:40,800 --> 00:31:41,633
MAN, I JUST WANT TO JUST

1410
00:31:41,633 --> 00:31:42,567
MOVE FORWARD.

1411
00:31:42,567 --> 00:31:44,567
I NEVER HAD SEX WITH HER.

1412
00:31:53,800 --> 00:31:55,567
WHAT'S UP, MAN?

1413
00:31:55,567 --> 00:31:56,600
[laughs]

1414
00:31:56,600 --> 00:31:58,600
YOU ALREADY GOT YOUR PINK DOGGY

1415
00:31:58,600 --> 00:31:59,500
NECK THING.

1416
00:31:59,500 --> 00:32:00,400
YOU FEEL ME?

1417
00:32:00,400 --> 00:32:01,433
YEAH, YOU GUESSED IT.

1418
00:32:01,433 --> 00:32:03,133
YOUR BOY'S UP AND DOWN THE BOARD

1419
00:32:03,133 --> 00:32:03,900
CHASIN' THE BAM,

1420
00:32:03,900 --> 00:32:04,600
YOU KNOW I'M SAYIN'?

1421
00:32:04,600 --> 00:32:05,300
I MISS HER.

1422
00:32:05,300 --> 00:32:06,400
I MEAN, I BEEN CALLIN'.

1423
00:32:06,400 --> 00:32:07,533
I BEEN TEXTIN' HER.

1424
00:32:07,533 --> 00:32:08,533
SHE AIN'T BEEN RETURNIN' NONE OF

1425
00:32:08,533 --> 00:32:09,467
YOUR BOY CALL.

1426
00:32:09,467 --> 00:32:10,200
I HANDLED IT.

1427
00:32:10,200 --> 00:32:10,967
YOU KNOW WHAT I'M SAYIN'?

1428
00:32:10,967 --> 00:32:12,433
I GOT SOMETHIN' FOR HER ASS,

1429
00:32:12,433 --> 00:32:13,200
YOU KNOW WHAT I'M SAYIN'?

1430
00:32:13,200 --> 00:32:14,433
JUST A LITTLE SNEAK ATTACK, MAN,

1431
00:32:14,433 --> 00:32:15,200
YOU KNOW WHAT I'M SAYIN',

1432
00:32:15,200 --> 00:32:16,567
TO MELT THAT HEART A LITTLE BIT.

1433
00:32:16,567 --> 00:32:17,767
CALL IT A PUPPY SURPRISE,

1434
00:32:17,767 --> 00:32:18,733
YOU DIG?

1435
00:32:18,733 --> 00:32:20,433
I BET YOU BAM HOP BACK ON

1436
00:32:20,433 --> 00:32:21,767
MY DIZZ-NAH-EE.

1437
00:32:21,767 --> 00:32:23,467
YOU GOT TO BE HARD AROUND BAM.

1438
00:32:23,467 --> 00:32:24,467
SHE TALL.

1439
00:32:24,467 --> 00:32:26,467
DON'T LET THAT SCARE YOU.

1440
00:32:29,833 --> 00:32:31,367
WHAT ARE YOU DOING HERE?

1441
00:32:31,367 --> 00:32:32,267
HAD A LITTLE SURPRISE

1442
00:32:32,267 --> 00:32:32,933
FOR YOU.

1443
00:32:32,933 --> 00:32:34,133
I KNOW YOU ALWAYS SAY YOU BE

1444
00:32:34,133 --> 00:32:35,067
WANTIN' LITTLE STUFF,

1445
00:32:35,067 --> 00:32:35,700
SO IT'S JUST...

1446
00:32:35,700 --> 00:32:38,900
YOU BROUGHT ME A PRESENT?

1447
00:32:38,900 --> 00:32:42,233
WHAT IS--

1448
00:32:42,233 --> 00:32:43,833
YO QUIERO TACO BELL?

1449
00:32:43,833 --> 00:32:44,700
HE'S SOMETHING LIKE THAT

1450
00:32:44,700 --> 00:32:46,200
[bleep], YOU FEEL ME?

1451
00:32:46,200 --> 00:32:46,933
LIKE HER, JILLY?

1452
00:32:46,933 --> 00:32:47,800
HI.

1453
00:32:47,800 --> 00:32:49,333
IS SHE GON' PEE ON THE FLOOR?

1454
00:32:49,333 --> 00:32:51,133
IT'S JUST A LITTLE OVERWHELMING.

1455
00:32:51,133 --> 00:32:52,667
I'VE SPOKEN WITH SCRAP A COUPLE

1456
00:32:52,667 --> 00:32:53,800
TIMES SINCE WE BROKE UP.

1457
00:32:53,800 --> 00:32:55,533
I MISS HIM, BUT I'M NOT TRYIN'

1458
00:32:55,533 --> 00:32:56,767
TO DEAL WITH HIS DRAMA

1459
00:32:56,767 --> 00:32:58,900
OR HIS MAMA DRAMA ANYMORE,

1460
00:32:58,900 --> 00:33:00,700
AND I'M NOT SURE IF A PUPPY

1461
00:33:00,700 --> 00:33:01,967
CAN CHANGE THE WAY I FEEL.

1462
00:33:01,967 --> 00:33:02,967
CAME HERE TO BRING JILL

1463
00:33:02,967 --> 00:33:04,367
AND JUST SEE WHAT'S UP WITH YOU.

1464
00:33:04,367 --> 00:33:05,433
I MISS YOU.

1465
00:33:05,433 --> 00:33:06,733
YOU DO?

1466
00:33:06,733 --> 00:33:07,700
YOU DON'T MISS ME?

1467
00:33:07,700 --> 00:33:08,700
I DO.

1468
00:33:08,700 --> 00:33:09,367
DO YOU REALLY MISS ME?

1469
00:33:09,367 --> 00:33:10,900
BUT I DON'T MISS, LIKE,

1470
00:33:10,900 --> 00:33:11,933
WHAT COMES WITH YOU,

1471
00:33:11,933 --> 00:33:14,067
LIKE, YOUR MOM, YOUR GIRL.

1472
00:33:14,067 --> 00:33:15,100
WELL, YOU DON'T HAVE TO WORRY

1473
00:33:15,100 --> 00:33:16,067
ABOUT THAT NO MORE.

1474
00:33:16,067 --> 00:33:16,733
WHY NOT?

1475
00:33:16,733 --> 00:33:17,867
BECAUSE THAT'S DONE.

1476
00:33:17,867 --> 00:33:18,567
OH, IS IT?

1477
00:33:18,567 --> 00:33:19,667
LIKE I BEEN TOLD YOU, IT'S

1478
00:33:19,667 --> 00:33:20,900
NOTHING HAPPENING WITH THAT.

1479
00:33:20,900 --> 00:33:21,700
NOTHING'S GON' HAPPEN.

1480
00:33:21,700 --> 00:33:22,467
IS THE FRIENDSHIP OVER?

1481
00:33:22,467 --> 00:33:23,500
I MEAN, IF I'M TRYIN' TO SIT

1482
00:33:23,500 --> 00:33:24,500
HERE AND TALK TO YOU--

1483
00:33:24,500 --> 00:33:25,667
YOU JUST TRYIN' TO COME SEE

1484
00:33:25,667 --> 00:33:26,500
ME AND GIVE ME A PUPPY.

1485
00:33:26,500 --> 00:33:27,367
WELL, IT'S A CUTE LITTLE DOG,

1486
00:33:27,367 --> 00:33:28,067
MAN.

1487
00:33:28,067 --> 00:33:28,933
I WENT OUT MY WAY TO GET THAT,

1488
00:33:28,933 --> 00:33:29,633
MAN, YOU FEEL ME?

1489
00:33:29,633 --> 00:33:30,300
RIGHT.

1490
00:33:30,300 --> 00:33:30,967
FOR REAL.

1491
00:33:30,967 --> 00:33:32,067
JUST SHOWIN' MY GRATITUDE AND

1492
00:33:32,067 --> 00:33:33,067
MY LOVE FOR YOU, YOU FEEL ME?

1493
00:33:33,067 --> 00:33:33,700
MM-HMM.

1494
00:33:33,700 --> 00:33:34,867
I WANT TO BE SOMEWHERE

1495
00:33:34,867 --> 00:33:36,100
ON SOME KIND OF LEVEL.

1496
00:33:36,100 --> 00:33:36,933
BUT YOU DON'T KNOW WHAT THAT

1497
00:33:36,933 --> 00:33:37,700
LEVEL IS.

1498
00:33:37,700 --> 00:33:38,500
WHAT LEVEL DO YOU WANT TO BE

1499
00:33:38,500 --> 00:33:39,167
ON?

1500
00:33:39,167 --> 00:33:40,133
I'M JUST ASKIN'. LIKE, I'M--

1501
00:33:40,133 --> 00:33:40,933
WHAT LEVEL DO YOU WANT TO--

1502
00:33:40,933 --> 00:33:41,700
BECAUSE YOU KEEP ASKIN' ME

1503
00:33:41,700 --> 00:33:42,367
LIKE YOU ALREADY KNOW.

1504
00:33:42,367 --> 00:33:43,067
NO, THIS IS YOU.

1505
00:33:43,067 --> 00:33:43,700
LIKE, YOU'RE HERE.

1506
00:33:43,700 --> 00:33:44,600
SO I JUST NEED TO BE CLEAR ON

1507
00:33:44,600 --> 00:33:46,400
WHAT YOU WANT AND WHY YOU HERE.

1508
00:33:46,400 --> 00:33:47,167
YOU KNOW WHAT I'M SAYIN'?

1509
00:33:47,167 --> 00:33:48,100
YOU TRYIN' TO GET BACK TOGETHER.

1510
00:33:48,100 --> 00:33:49,233
WE GOT TO WAIT FOR THAT,

1511
00:33:49,233 --> 00:33:50,300
BUT I'M JUST TRYIN' TO SEE.

1512
00:33:50,300 --> 00:33:51,267
WE GOT TO GET BACK TOGETHER--

1513
00:33:51,267 --> 00:33:52,333
WAIT FOR WHAT?

1514
00:33:52,333 --> 00:33:53,167
WAIT TO SEE,

1515
00:33:53,167 --> 00:33:54,200
YOU KNOW WHAT I'M SAYIN'?

1516
00:33:54,200 --> 00:33:55,767
I MEAN, CAN I GET A HUG,

1517
00:33:55,767 --> 00:33:58,233
A KISS, OR SOMETHIN', YOU KNOW?

1518
00:33:58,233 --> 00:33:59,267
SOMETHIN', JUST GIVE ME

1519
00:33:59,267 --> 00:34:00,067
SOMETHIN'.

1520
00:34:00,067 --> 00:34:01,300
GIVE ME A KISS.

1521
00:34:01,300 --> 00:34:03,300
NO, I DON'T--

1522
00:34:06,067 --> 00:34:08,633
THAT'S IT.

1523
00:34:08,633 --> 00:34:09,667
YOU KNOCK ME OFF OF MY FEET,

1524
00:34:09,667 --> 00:34:10,333
BABY.

1525
00:34:10,333 --> 00:34:12,533
WHATEVER. I HATE YOU.

1526
00:34:12,533 --> 00:34:13,767
MAN, I'M FEELIN' REAL HOPEFUL

1527
00:34:13,767 --> 00:34:14,600
RIGHT NOW.

1528
00:34:14,600 --> 00:34:15,500
SHE LOVE THE DOG,

1529
00:34:15,500 --> 00:34:16,433
YOU KNOW WHAT I'M SAYIN'?

1530
00:34:16,433 --> 00:34:17,400
SO I KNOW SHE LIKIN' A LITTLE

1531
00:34:17,400 --> 00:34:18,900
THE DUDE THAT GAVE IT TO HER.

1532
00:34:18,900 --> 00:34:19,733
BUT, YOU KNOW, I'MA TAKE IT

1533
00:34:19,733 --> 00:34:20,733
REAL SLOW.

1534
00:34:20,733 --> 00:34:22,100
I'MA WORK MY WAY BACK UP TO THAT

1535
00:34:22,100 --> 00:34:23,167
HEART, AND ONCE I GET INTO THE

1536
00:34:23,167 --> 00:34:25,467
HEART, I'LL WIN MY WAY BACK INTO

1537
00:34:25,467 --> 00:34:27,900
THAT POOD-NAH-EE, YOU FEEL ME?

1538
00:34:27,900 --> 00:34:29,067
ARE YOU GON' LOVE JILL?

1539
00:34:29,067 --> 00:34:30,067
I'M GONNA LOVE HER.

1540
00:34:30,067 --> 00:34:30,767
THIS WAS A GREAT START.

1541
00:34:30,767 --> 00:34:31,567
TAKE CARE OF JILL.

1542
00:34:31,567 --> 00:34:32,233
WE GONNA HAVE SEX?

1543
00:34:32,233 --> 00:34:34,233
NO, WE'RE NOT GONNA HAVE SEX.

1544
00:34:34,233 --> 00:34:35,500
YOU GON' HAVE TO TAKE ME ON

1545
00:34:35,500 --> 00:34:37,067
A GANG OF DATES BEFORE WE GET IT

1546
00:34:37,067 --> 00:34:39,067
POPPIN' AGAIN.

1547
00:34:44,967 --> 00:34:46,500
Z, WHAT'S THE DEAL, BRO?

1548
00:34:46,500 --> 00:34:47,467
SLEAZE.

1549
00:34:47,467 --> 00:34:48,400
WHAT'S GOIN' ON, MAN?

1550
00:34:48,400 --> 00:34:49,067
HOW YOU FEELIN'?

1551
00:34:49,067 --> 00:34:49,733
WHAT'S UP, MAN?

1552
00:34:49,733 --> 00:34:50,800
HOW'S EVERYTHING, MAN?

1553
00:34:50,800 --> 00:34:51,467
[bleep].

1554
00:34:51,467 --> 00:34:52,400
I KNOW IT'S CRAZY.

1555
00:34:52,400 --> 00:34:53,100
YEAH, MY [bleep] STILL

1556
00:34:53,100 --> 00:34:53,767
[bleep].

1557
00:34:53,767 --> 00:34:55,167
I SEEN ALTHEA IN THE HALLWAY,

1558
00:34:55,167 --> 00:34:56,167
AND SHE GAVE ME THE KEY.

1559
00:34:56,167 --> 00:34:56,967
THE KEY, YEAH, YEAH, YEAH.

1560
00:34:56,967 --> 00:34:57,633
SHE WENT TO GO GET THE

1561
00:34:57,633 --> 00:34:58,300
PRESCRIPTION.

1562
00:34:58,300 --> 00:34:59,367
I HAD ENOUGH OF BOSTON,

1563
00:34:59,367 --> 00:35:01,067
BUT BEFORE I LEAVE, I HAD TO GO

1564
00:35:01,067 --> 00:35:02,233
CHECK ON MY MAN Z 'CAUSE

1565
00:35:02,233 --> 00:35:03,767
YESTERDAY HE WAS TALKIN' CRAZY

1566
00:35:03,767 --> 00:35:05,733
ABOUT ME AND ALTHEA.

1567
00:35:05,733 --> 00:35:07,233
IT'S DEFINITELY GOOD TO SEE

1568
00:35:07,233 --> 00:35:09,300
MY MAN IN BETTER SPIRITS TODAY,

1569
00:35:09,300 --> 00:35:10,400
AND, YOU KNOW, IT'S EVEN BETTER

1570
00:35:10,400 --> 00:35:11,633
TO SEE OLD THI THI HOLDIN'

1571
00:35:11,633 --> 00:35:12,467
HIM DOWN.

1572
00:35:12,467 --> 00:35:13,600
I KNOW HE'S STILL HURTING,

1573
00:35:13,600 --> 00:35:15,633
LOSING HIS MOM AND BEING SHOT,

1574
00:35:15,633 --> 00:35:16,600
BUT IT'S STILL GOOD TO SEE

1575
00:35:16,600 --> 00:35:17,867
A SMILE ON HIS FACE.

1576
00:35:17,867 --> 00:35:19,700
THIS DUDE HAS BEEN THROUGH IT.

1577
00:35:19,700 --> 00:35:20,533
YOU GOT A LOT OF CARDS,

1578
00:35:20,533 --> 00:35:22,067
LOVE ALL AROUND THE ROOM.

1579
00:35:22,067 --> 00:35:23,433
YEAH, YOU NEVER REALLY KNOW

1580
00:35:23,433 --> 00:35:24,300
HOW MUCH LOVE YOU HAVE

1581
00:35:24,300 --> 00:35:25,133
TILL YOU GET SHOT.

1582
00:35:25,133 --> 00:35:26,367
IT'S CRAZY.

1583
00:35:26,367 --> 00:35:27,467
THE ONLY GOOD THING ABOUT ALL

1584
00:35:27,467 --> 00:35:29,067
THIS IS THAT ALTHEA WAS THERE

1585
00:35:29,067 --> 00:35:29,933
WITH ME EVERY STEP OF THE

1586
00:35:29,933 --> 00:35:30,600
[bleep] WAY.

1587
00:35:30,600 --> 00:35:31,267
LIKE--

1588
00:35:31,267 --> 00:35:32,333
SHE SEEMS LIKE SHE'S THE ONE

1589
00:35:32,333 --> 00:35:33,267
FOR YOU, BRO.

1590
00:35:33,267 --> 00:35:34,067
KNOW WHAT I'M SAYIN'?

1591
00:35:34,067 --> 00:35:36,433
IT'S CRAZY BECAUSE, YOU KNOW,

1592
00:35:36,433 --> 00:35:37,700
I WANTED HER TO MEET MY MOTHER,

1593
00:35:37,700 --> 00:35:39,433
AND SHE NEVER GOT A CHANCE.

1594
00:35:39,433 --> 00:35:40,533
ME GETTING MARRIED, MAN,

1595
00:35:40,533 --> 00:35:42,167
MY MOTHER--THROUGHOUT MY WHOLE

1596
00:35:42,167 --> 00:35:43,567
LIFE, MY MOTHER SEEN 'EM COME

1597
00:35:43,567 --> 00:35:44,667
AND GO AND JUST, LIKE--

1598
00:35:44,667 --> 00:35:45,333
YOU KNOW I MEAN?

1599
00:35:45,333 --> 00:35:46,800
I JUST--YOU KNOW WHAT I'M

1600
00:35:46,800 --> 00:35:47,833
SAYIN', SHE NEVER PROBABLY

1601
00:35:47,833 --> 00:35:48,933
THOUGHT THAT I WOULD [bleep]

1602
00:35:48,933 --> 00:35:49,733
GET MARRIED.

1603
00:35:49,733 --> 00:35:52,067
MAN, SLEAZE, I JUST WAS LIKE--

1604
00:35:52,067 --> 00:35:53,100
THAT'S WHY, MAN, WHEN YOU WAS--

1605
00:35:53,100 --> 00:35:53,800
YOU KNOW, WHEN YOU CAME IN

1606
00:35:53,800 --> 00:35:55,933
THERE, I KNOW I GOT EMOTIONAL,

1607
00:35:55,933 --> 00:35:57,433
BUT IT'S LIKE, BEFORE ALL THIS

1608
00:35:57,433 --> 00:35:58,367
[bleep] HAPPENED, SHE TOLD ME

1609
00:35:58,367 --> 00:35:59,433
ABOUT THE SITUATION,

1610
00:35:59,433 --> 00:36:00,267
YOU KNOW WHAT I'M SAYIN',

1611
00:36:00,267 --> 00:36:01,267
WITH Y'ALL TWO, SLEAZE.

1612
00:36:01,267 --> 00:36:02,433
I--COME ON.

1613
00:36:02,433 --> 00:36:03,733
LIKE, SHE TOLD ME, "LOOK,

1614
00:36:03,733 --> 00:36:04,833
YOU KNOW, WE MESSED AROUND."

1615
00:36:04,833 --> 00:36:06,167
IT WASN'T NOTHIN' CRAZY.

1616
00:36:06,167 --> 00:36:06,867
IT JUST WAS"--YOU KNOW

1617
00:36:06,867 --> 00:36:07,533
WHAT I'M SAYIN'?

1618
00:36:07,533 --> 00:36:08,300
YEAH, WE HUNG OUT A LITTLE

1619
00:36:08,300 --> 00:36:08,967
BIT.

1620
00:36:08,967 --> 00:36:09,833
SLEAZE, WE AIN'T NEVER GONNA

1621
00:36:09,833 --> 00:36:10,500
TALK ABOUT IT AGAIN.

1622
00:36:10,500 --> 00:36:11,600
MAN, I JUST WANT TO JUST MOVE

1623
00:36:11,600 --> 00:36:13,267
FORWARD, GET BETTER, GET BACK

1624
00:36:13,267 --> 00:36:14,433
IN THE STUDIO WITH YOU, MAN.

1625
00:36:14,433 --> 00:36:15,100
RIGHT.

1626
00:36:15,100 --> 00:36:16,333
SEE, MY THING IS,

1627
00:36:16,333 --> 00:36:17,333
WE HUNG OUT, Z.

1628
00:36:17,333 --> 00:36:18,400
IT WAS NEVER NOTHIN'.

1629
00:36:18,400 --> 00:36:20,533
I NEVER HAD SEX WITH HER,

1630
00:36:20,533 --> 00:36:22,133
AND I JUST WANT TO JUST PUT THIS

1631
00:36:22,133 --> 00:36:23,967
BEHIND US, 'CAUSE Y'ALL HAPPY.

1632
00:36:23,967 --> 00:36:25,233
THAT'S YOUR SOUL MATE.

1633
00:36:25,233 --> 00:36:26,767
NO MATTER HOW YOU SLICE AND DICE

1634
00:36:26,767 --> 00:36:28,633
IT, I DIDN'T SMASH IT.

1635
00:36:28,633 --> 00:36:30,133
FLIP IT UP, RUB IT DOWN,

1636
00:36:30,133 --> 00:36:31,233
PUT IT UP, PUT IT DOWN,

1637
00:36:31,233 --> 00:36:33,567
SIDE TO SIDE, I AIN'T SMASH.

1638
00:36:37,233 --> 00:36:38,100
WHILE I'M IN BOSTON

1639
00:36:38,100 --> 00:36:40,567
AT THE HOSPITAL, I WALKS IN.

1640
00:36:40,567 --> 00:36:41,567
ALTHEA IN THERE,

1641
00:36:41,567 --> 00:36:42,933
AND HE TELLS ME, "YO,

1642
00:36:42,933 --> 00:36:44,300
I KNOW ABOUT YOU AND ALTHEA,"

1643
00:36:44,300 --> 00:36:45,533
LIKE HE WAS INSINUATIN', LIKE,

1644
00:36:45,533 --> 00:36:46,200
I HAD SLEPT WITH HER

1645
00:36:46,200 --> 00:36:47,167
OR SOMETHIN'.

1646
00:36:47,167 --> 00:36:47,933
BUT YOU SLEPT WITH HER.

1647
00:36:47,933 --> 00:36:48,600
I NEVER--

1648
00:36:48,600 --> 00:36:49,367
I WAS TRYIN' TO FIGURE OUT

1649
00:36:49,367 --> 00:36:50,167
WHEN SHE WAS GONNA TELL ME AND

1650
00:36:50,167 --> 00:36:52,167
WHEN YOU WAS GONNA TELL ME.

1651
00:37:00,567 --> 00:37:02,200
MY ASS IS IN THE AIR.

1652
00:37:02,200 --> 00:37:04,267
YOU KNOW, STEVIE BETTER BE GLAD

1653
00:37:04,267 --> 00:37:05,567
HE'S NOT IN ATLANTA, BECAUSE

1654
00:37:05,567 --> 00:37:07,167
AFTER KARLIE TOLD ME WHAT THEM

1655
00:37:07,167 --> 00:37:08,833
HOS BEEN SAYING AROUND TOWN,

1656
00:37:08,833 --> 00:37:09,800
THAT HE'S SLEEPING WITH THIS

1657
00:37:09,800 --> 00:37:11,467
HOTHEA, I WOULD'VE WENT UP TO

1658
00:37:11,467 --> 00:37:12,500
HIS [bleep] FACE,

1659
00:37:12,500 --> 00:37:13,833
GRABBED THE VERSACE DISHES,

1660
00:37:13,833 --> 00:37:14,667
AND I WOULD'VE KNOCKED HIS

1661
00:37:14,667 --> 00:37:15,900
[bleep] HEAD OFF WITH THEM,

1662
00:37:15,900 --> 00:37:17,467
BUT I'M NOT GONNA DO THAT.

1663
00:37:17,467 --> 00:37:18,967
THERE IS NO WAY NOBODY, NEITHER

1664
00:37:18,967 --> 00:37:20,767
STEVIE OR ANYBODY IN THE WORLD,

1665
00:37:20,767 --> 00:37:22,200
COULD GET IN BETWEEN MY CAREER,

1666
00:37:22,200 --> 00:37:23,700
'CAUSE I DON'T LOVE NOTHING ELSE

1667
00:37:23,700 --> 00:37:25,233
MORE THAN I LOVE THAT.

1668
00:37:25,233 --> 00:37:25,900
HOW YOU DOIN'?

1669
00:37:25,900 --> 00:37:26,567
WHAT'S GOING ON?

1670
00:37:26,567 --> 00:37:27,233
ALL RIGHT.

1671
00:37:27,233 --> 00:37:27,933
WHAT'S UP?

1672
00:37:27,933 --> 00:37:28,667
JUST GOT BACK,

1673
00:37:28,667 --> 00:37:30,700
KNOW WHAT I'M SAYIN'?

1674
00:37:30,700 --> 00:37:32,167
ZINO BEIN' SHOT WAS JUST THE

1675
00:37:32,167 --> 00:37:33,433
BEGINNING OF THE CRAZINESS

1676
00:37:33,433 --> 00:37:34,767
THAT WENT DOWN IN BOSTON.

1677
00:37:34,767 --> 00:37:36,933
I THINK THEM PAIN MEDS HAD HIM

1678
00:37:36,933 --> 00:37:38,267
TRIPPING, SAYING STUFF LIKE ME

1679
00:37:38,267 --> 00:37:40,167
AND ALTHEA WAS MESSING AROUND.

1680
00:37:40,167 --> 00:37:41,533
I DON'T KNOW WHAT HE TALKIN'

1681
00:37:41,533 --> 00:37:43,067
ABOUT, AND I WANT TO MAKE SURE

1682
00:37:43,067 --> 00:37:44,367
THAT MY WIFE KNOWS THE TRUTH

1683
00:37:44,367 --> 00:37:46,067
ABOUT ALL THAT TOO, BECAUSE, YOU

1684
00:37:46,067 --> 00:37:47,500
KNOW, THE STREETS BE TALKING,

1685
00:37:47,500 --> 00:37:48,867
AND THE LIES FLY FASTER

1686
00:37:48,867 --> 00:37:50,233
THAN A NEW YORK MINUTE.

1687
00:37:50,233 --> 00:37:50,933
WHILE I'M IN BOSTON

1688
00:37:50,933 --> 00:37:51,900
AT THE HOSPITAL...

1689
00:37:51,900 --> 00:37:52,567
UH-HUH.

1690
00:37:52,567 --> 00:37:54,367
I WALKS IN. ALTHEA IN THERE.

1691
00:37:54,367 --> 00:37:55,933
AND HE TELLS ME, "YO, I KNOW

1692
00:37:55,933 --> 00:37:57,100
ABOUT YOU AND ALTHEA,"

1693
00:37:57,100 --> 00:37:58,433
LIKE HE WAS INSINUATIN', LIKE,

1694
00:37:58,433 --> 00:37:59,100
I HAD SLEPT WITH HER

1695
00:37:59,100 --> 00:37:59,767
OR SOMETHIN'.

1696
00:37:59,767 --> 00:38:00,800
BUT YOU SLEPT WITH HER.

1697
00:38:00,800 --> 00:38:01,633
WHAT YOU MEAN, I SLEPT WITH

1698
00:38:01,633 --> 00:38:02,300
HER?

1699
00:38:02,300 --> 00:38:02,967
THEA ALREADY TOLD ME

1700
00:38:02,967 --> 00:38:03,867
YOU SLEPT WITH HER.

1701
00:38:03,867 --> 00:38:04,533
I NEVER--

1702
00:38:04,533 --> 00:38:05,300
I WAS TRYIN' TO FIGURE OUT

1703
00:38:05,300 --> 00:38:06,167
WHEN SHE WAS GONNA TELL ME,

1704
00:38:06,167 --> 00:38:07,700
AND WHEN YOU WAS GONNA TELL ME.

1705
00:38:07,700 --> 00:38:09,133
I TOLD YOU I WAS GONNA

1706
00:38:09,133 --> 00:38:10,500
INVESTIGATE, AND AFTER KARLIE

1707
00:38:10,500 --> 00:38:11,767
REDD DROPPED THIS BOMB ON ME,

1708
00:38:11,767 --> 00:38:12,700
I WENT AROUND TOWN.

1709
00:38:12,700 --> 00:38:13,467
I MADE PHONE CALLS.

1710
00:38:13,467 --> 00:38:14,333
I MET UP WITH PEOPLE.

1711
00:38:14,333 --> 00:38:15,333
AND WHAT THEY HAD TO TELL ME

1712
00:38:15,333 --> 00:38:16,433
WAS NOT NICE.

1713
00:38:16,433 --> 00:38:17,200
YOU KNOW WHAT MAKES ME

1714
00:38:17,200 --> 00:38:17,900
EVEN MORE MAD?

1715
00:38:17,900 --> 00:38:18,567
THAT YOU [bleep] HER

1716
00:38:18,567 --> 00:38:19,300
WHILE YOU WAS WITH ME.

1717
00:38:19,300 --> 00:38:20,100
I NEVER [bleep] HER.

1718
00:38:20,100 --> 00:38:21,067
AS A MATTER OF FACT,

1719
00:38:21,067 --> 00:38:21,967
I HEARD YOU [bleep] HER

1720
00:38:21,967 --> 00:38:22,967
AT BENZINO'S HOUSE.

1721
00:38:22,967 --> 00:38:23,967
YOU HEARD WRONG.

1722
00:38:23,967 --> 00:38:24,700
I DON'T BELIEVE YOU.

1723
00:38:24,700 --> 00:38:25,500
I'VE BEEN FAITHFUL TO YOU

1724
00:38:25,500 --> 00:38:26,200
SINCE I'VE BEEN WITH YOU.

1725
00:38:26,200 --> 00:38:26,867
NO, YOU HAVEN'T.

1726
00:38:26,867 --> 00:38:27,700
I'VE DEDICATED TWO YEARS OF

1727
00:38:27,700 --> 00:38:28,367
MY LIFE TO YOU.

1728
00:38:28,367 --> 00:38:29,067
YOU HAVEN'T DEDICATED

1729
00:38:29,067 --> 00:38:29,733
NOTHING.

1730
00:38:29,733 --> 00:38:30,400
TO YOUR CAREER.

1731
00:38:30,400 --> 00:38:31,067
YOU KNOW WHAT YOU'VE

1732
00:38:31,067 --> 00:38:31,733
DEDICATED?

1733
00:38:31,733 --> 00:38:32,700
YOU'VE DEDICATED LIES, 'CAUSE

1734
00:38:32,700 --> 00:38:33,800
YOU [bleep] ALTHEA.

1735
00:38:33,800 --> 00:38:34,633
I WANT TO POP YOU IN YOUR

1736
00:38:34,633 --> 00:38:35,433
[bleep], BUT I CAN'T BEAT YOU

1737
00:38:35,433 --> 00:38:36,200
UP, SO I'MA HAVE TO WHUP HER

1738
00:38:36,200 --> 00:38:37,300
ASS, BECAUSE SHE SAT IN MY

1739
00:38:37,300 --> 00:38:38,333
[bleep] HOUSE AND...

1740
00:38:38,333 --> 00:38:39,367
I NEVER [bleep] HER.

1741
00:38:39,367 --> 00:38:40,967
SHE ATE MY [bleep] FOOD

1742
00:38:40,967 --> 00:38:41,800
IN MY NICE [bleep].

1743
00:38:41,800 --> 00:38:42,700
NOW I'MA HAVE TO WHUP THE BITCH

1744
00:38:42,700 --> 00:38:43,367
ASS.

1745
00:38:43,367 --> 00:38:44,333
WHEN I SEE THAT BITCH AGAIN,

1746
00:38:44,333 --> 00:38:45,200
JUST KNOW THAT, AND LET YOUR

1747
00:38:45,200 --> 00:38:46,567
HOMEY KNOW I'MA WHUP THAT HO

1748
00:38:46,567 --> 00:38:47,800
ASS, 'CAUSE FIRST OF ALL,

1749
00:38:47,800 --> 00:38:49,067
HE DISRESPECTFUL, AND YOU MORE

1750
00:38:49,067 --> 00:38:49,800
DISRESPECTFUL.

1751
00:38:49,800 --> 00:38:50,833
YOU KNOW, I'M REALLY MAD AT THIS

1752
00:38:50,833 --> 00:38:51,700
[bleep].

1753
00:38:51,700 --> 00:38:52,900
IT'S ONE THING YOU BE REAL WITH

1754
00:38:52,900 --> 00:38:54,500
ME, AND IT'S ANOTHER THING

1755
00:38:54,500 --> 00:38:55,433
YOU TRYIN' TO PLAY ME.

1756
00:38:55,433 --> 00:38:57,133
THAT'S HOW PEOPLE GET MESSED UP,

1757
00:38:57,133 --> 00:38:57,867
'CAUSE PEOPLE LIKE TO PLAY

1758
00:38:57,867 --> 00:38:58,633
GAMES.

1759
00:38:58,633 --> 00:38:59,300
YOU WENT OUT WITH HER

1760
00:38:59,300 --> 00:39:00,200
A YEAR AGO WHEN WE WAS--

1761
00:39:00,200 --> 00:39:00,867
YEAH.

1762
00:39:00,867 --> 00:39:01,533
WHEN WAS ALREADY--

1763
00:39:01,533 --> 00:39:02,367
WAS WE ALREADY MARRIED?

1764
00:39:02,367 --> 00:39:03,167
IS IT JUNE YET?

1765
00:39:03,167 --> 00:39:03,833
NO.

1766
00:39:03,833 --> 00:39:04,667
AND YOU KNOW I WAS WAITIN' ON

1767
00:39:04,667 --> 00:39:06,233
YOUR SCARY ASS TO TELL ME.

1768
00:39:06,233 --> 00:39:07,100
YOU DON'T EVEN HAVE THE BALLS--

1769
00:39:07,100 --> 00:39:07,933
I'M NOT SCARY ABOUT NOTH--

1770
00:39:07,933 --> 00:39:08,733
YOU CLAIM YOU'RE A PLAYER,

1771
00:39:08,733 --> 00:39:09,667
BUT YOU DIDN'T EVEN TELL THE

1772
00:39:09,667 --> 00:39:10,567
TRUTH OF WHAT YOU DONE.

1773
00:39:10,567 --> 00:39:12,067
I'M 27 YEARS OLD, AND I WILL--

1774
00:39:12,067 --> 00:39:13,133
"I'M 27 YEARS OLD."

1775
00:39:13,133 --> 00:39:14,300
AND I REFUSE TO BE WORRYIN'

1776
00:39:14,300 --> 00:39:15,200
ABOUT WHAT YOU DOIN' AND WHO YOU

1777
00:39:15,200 --> 00:39:16,100
STICKIN' YOUR [bleep].

1778
00:39:16,100 --> 00:39:16,767
I DON'T CHEAT.

1779
00:39:16,767 --> 00:39:17,467
I'M READY TO SIGN THE

1780
00:39:17,467 --> 00:39:18,233
WALK-AWAYS WHEN YOU READY,

1781
00:39:18,233 --> 00:39:19,067
'CAUSE DOIN' THIS [bleep],

1782
00:39:19,067 --> 00:39:19,967
I DON'T WANT TO BE WITH YOU.

1783
00:39:19,967 --> 00:39:20,800
IT'S UP TO YOU IF YOU GON'

1784
00:39:20,800 --> 00:39:21,467
GET THE WALK-AWAY.

1785
00:39:21,467 --> 00:39:22,200
I DON'T GIVE A [bleep].

1786
00:39:22,200 --> 00:39:23,300
LET'S DO IT, 'CAUSE I DON'T WANT

1787
00:39:23,300 --> 00:39:24,167
TO BE MARRIED TO A CHEATER.

1788
00:39:24,167 --> 00:39:25,433
WELL, JOSELINE, SHE THINKS

1789
00:39:25,433 --> 00:39:26,867
I'M SMASHIN' EVERYBODY.

1790
00:39:26,867 --> 00:39:28,433
I KNOW I'M FLY AND EVERYTHING,

1791
00:39:28,433 --> 00:39:30,067
BUT I AIN'T KNOCKIN' 'EM DOWN.

1792
00:39:30,067 --> 00:39:30,733
THIS IS ALL ACTING.

1793
00:39:30,733 --> 00:39:31,567
NO, THIS AIN'T ACTING.

1794
00:39:31,567 --> 00:39:32,300
THIS IS REAL.

1795
00:39:32,300 --> 00:39:33,100
YOU FULL OF [bleep].

1796
00:39:33,100 --> 00:39:33,900
YOU HAVE A GOOD REHEARSAL,

1797
00:39:33,900 --> 00:39:34,567
BUT YOU--

1798
00:39:34,567 --> 00:39:35,367
YOU TELL ALTHEA I'MA WHUP

1799
00:39:35,367 --> 00:39:36,233
HER ASS, SO I HOPE HER [bleep]

1800
00:39:36,233 --> 00:39:36,933
WAS GOOD ENOUGH.

1801
00:39:36,933 --> 00:39:37,633
GET BACK TO WORK, BABY.

1802
00:39:37,633 --> 00:39:38,600
YOU DONE THAT ALREADY.

1803
00:39:38,600 --> 00:39:39,667
TELL THAT BITCH I'MA WHUP HER

1804
00:39:39,667 --> 00:39:41,667
ASS WHEN YOU SEE HER.

1805
00:39:46,433 --> 00:39:47,533
NEXT TIME ON LOVE and HIP-HOP:

1806
00:39:47,533 --> 00:39:48,267
ATLANTA...

1807
00:39:48,267 --> 00:39:49,267
HEY, BABY.

1808
00:39:49,267 --> 00:39:50,433
DON'T PAY HER NO MIND.

1809
00:39:50,433 --> 00:39:51,633
SHE NOT 'POSED TO BE HERE.

1810
00:39:51,633 --> 00:39:52,300
SHE NOT.

1811
00:39:52,300 --> 00:39:53,133
I'M SUPPOSED TO BE WORKIN'

1812
00:39:53,133 --> 00:39:53,800
ON MY ALBUM.

1813
00:39:53,800 --> 00:39:54,933
ALL I SEEN Y'ALL DOING WAS

1814
00:39:54,933 --> 00:39:55,667
HANGING OUT.

1815
00:39:55,667 --> 00:39:56,467
I'M TELLING YOU SOMETHIN'.

1816
00:39:56,467 --> 00:39:57,200
WHAT ARE YOU TELLING ME?

1817
00:39:57,200 --> 00:39:57,867
TELL ME, THEN.

1818
00:39:57,867 --> 00:39:58,567
I CAN'T DEAL WITH THE,

1819
00:39:58,567 --> 00:39:59,600
"WE GONNA HAVE A LITTLE FRIEND

1820
00:39:59,600 --> 00:40:00,467
ON THE SIDE."

1821
00:40:00,467 --> 00:40:01,433
I NEED KALENNA BACK.

1822
00:40:01,433 --> 00:40:04,067
I NEED K-DIDDYBOP.

1823
00:40:04,067 --> 00:40:07,400
I'M OFFICIALLY MRS. MALPHURS.

1824
00:40:07,400 --> 00:40:09,600
WE GOT MARRIED ALREADY.

1825
00:40:09,600 --> 00:40:10,833
WHAT?

1826
00:40:10,833 --> 00:40:11,933
NOW, THIS IS REAL [bleep],

1827
00:40:11,933 --> 00:40:13,000
LIKE, FOR REAL.

1828
00:40:13,000 --> 00:40:15,467
I CAN'T MAKE STEVIE ADMIT IT,

1829
00:40:15,467 --> 00:40:16,467
AND WHATEVER HIM AND JOSELINE'S

1830
00:40:16,467 --> 00:40:17,400
GONNA GO THROUGH,

1831
00:40:17,400 --> 00:40:18,467
THEY'RE GONNA GO THROUGH.

1832
00:40:18,467 --> 00:40:19,367
THAT'S THE REASON WHY HE'S NOT

1833
00:40:19,367 --> 00:40:20,533
ADMITTING IT, BECAUSE HE DOESN'T

1834
00:40:20,533 --> 00:40:21,567
WANT TO FEEL THE WRATH OF HER.

1835
00:40:21,567 --> 00:40:22,933
YOU WANT TO GO MEET WITH HOS.

1836
00:40:22,933 --> 00:40:23,600
YOU WANT TO [bleep]

1837
00:40:23,600 --> 00:40:24,633
BENZINO BROAD.

1838
00:40:24,633 --> 00:40:25,667
I AIN'T DO [bleep].

1839
00:40:25,667 --> 00:40:26,467
I MISS YOU.

1840
00:40:26,467 --> 00:40:27,300
NO, IT'S NONE OF THAT.

1841
00:40:27,300 --> 00:40:28,633
WHAT I WANT YOU TO DO IS TO GET

1842
00:40:28,633 --> 00:40:29,500
YOUR [bleep] TOGETHER.

1843
00:40:29,500 --> 00:40:30,233
'CAUSE YOU KNOW WHAT?

1844
00:40:30,233 --> 00:40:31,233
I'M 'BOUT THIS CLOSE TO MOVING

1845
00:40:31,233 --> 00:40:32,667
FAR AWAY FROM ATLANTA,

1846
00:40:32,667 --> 00:40:33,733
AND YOU'RE NOT GONNA SEE ME.

1847
00:40:33,733 --> 00:40:35,000
I'M OVER HIS ASS,

1848
00:40:35,000 --> 00:40:36,000
AND I'M GOIN' OUT OF TOWN.

1849
00:40:36,000 --> 00:40:37,433
BEFORE I SLAP THE [bleep]

1850
00:40:37,433 --> 00:40:38,233
OUT OF YOU...

1851
00:40:38,233 --> 00:40:39,000
BEFORE I SLAP THE [bleep]

1852
00:40:39,000 --> 00:40:39,667
OUT YOU...

1853
00:40:39,667 --> 00:40:40,333
EXIT TO THE RIGHT.

1854
00:40:40,333 --> 00:40:41,233
'CAUSE YOU AIN'T GON' NEVER

1855
00:40:41,233 --> 00:40:41,900
SLAP ME.

1856
00:40:41,900 --> 00:40:42,667
THAT'LL BE YOUR LAST TIME--

1857
00:40:42,667 --> 00:40:43,500
THAT'LL BE YOUR LAST TIME

1858
00:40:43,500 --> 00:40:44,633
EVER SLAPPIN' A [bleep]

1859
00:40:44,633 --> 00:40:45,467
IN REAL LIFE.

1860
00:40:45,467 --> 00:40:50,267
BYE, LANCE!

1861
00:41:08,800 --> 00:41:09,667
DON'T MARRY KARLIE, JOC.

1862
00:41:09,667 --> 00:41:11,067
DO NOT MARRY KARLIE, JOC.

1863
00:41:11,067 --> 00:41:11,700
OH, NO, NO, NO.

1864
00:41:11,700 --> 00:41:12,367
OH, THAT DID NOT COME OUT

1865
00:41:12,367 --> 00:41:13,067
OF MY MOUTH.

1866
00:41:13,067 --> 00:41:13,733
I'M SORRY.

1867
00:41:13,733 --> 00:41:14,600
NO, JOC, DO WHATEVER YOU HAVE

1868
00:41:14,600 --> 00:41:15,267
TO DO.

1869
00:41:15,267 --> 00:41:16,133
DO WHATEVER'S IN YOUR HEART.

1870
00:41:16,133 --> 00:41:16,800
I'M NOT A HATER.

1871
00:41:16,800 --> 00:41:17,833
YOU KNOW I LIKE YOU, BUT--

1872
00:41:17,833 --> 00:41:18,767
LISTEN, I AIN'T SAYIN'

1873
00:41:18,767 --> 00:41:19,967
[bleep] ABOUT MARRIAGE, OKAY?

1874
00:41:19,967 --> 00:41:20,933
I'M JUST COOLIN'.

1875
00:41:20,933 --> 00:41:21,900
ME AND YOU GOT THE SAME PROBLEM.

1876
00:41:21,900 --> 00:41:22,800
WE COUSINS.

1877
00:41:22,800 --> 00:41:23,933
OH, SO IT'S A--PLAYING'S

1878
00:41:23,933 --> 00:41:24,867
IN THE BLOODLINE.

1879
00:41:24,867 --> 00:41:28,067
ME AND CUZ--LISTEN.

1880
00:41:28,067 --> 00:41:29,067
SO DO I NEED TO BECOME

1881
00:41:29,067 --> 00:41:29,933
COUSINS AND WE ALL GONNA BE

1882
00:41:29,933 --> 00:41:30,600
[bleep] UP?

1883
00:41:30,600 --> 00:41:31,467
YOU ALREADY [bleep] UP

1884
00:41:31,467 --> 00:41:33,067
IN SOME KIND OF WAY.

1885
00:41:33,067 --> 00:41:33,833
HERE, LET'S PRICK OUR

1886
00:41:33,833 --> 00:41:35,267
FINGERS.

1887
00:41:35,267 --> 00:41:35,933
BLOOD BROTHERS.